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Florine Stettheimer : painting poetry
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  • KONST - Ibz Stettheimer, Florine
Main Entry - Personal Name
Title Statement
  • Florine Stettheimer : painting poetry
Publication, Distribution, etc. (Imprint)
  • New York : The Jewish Museum ; Toronto : Art Gallery of Ontario ; New Haven : Yale University Press, [2017] ℗♭2017.
  • 2017
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 168 pages : illustrations (chiefly color), portraits ; 25 cm.
General Note
  • Catalog of an exhibition held at the Jewish Museum, New York, May 5-September 25, 2017; and Art Gallery of Ontario, Toronto, October 21, 2017-January 28, 2018.
Bibliography, etc. Note
  • Includes bibliographical references (pages 160-162) and index.
Formatted Contents Note
  • The painted parody : Stettheimer and modern life / Stephen Brown -- 4 ST.s seen by Florine : a case study / Georgiana Uhlyarik -- Works -- My friend Florine : a conversation with contemporaries / Cecily Brown, Jamian Juliano-Villani, Jutta Koether, Ella Kruglyanskaya, Valentina Liernur, Silke Otto-Knapp, and Katharina Wulff in conversation with Jens Hoffmann.
Date/Time and Place of an Event Note
  • "Florine Stettheimer: Painting Poetry" : May 5-September 25, 2017, The Jewish Museum, New York, New York, United States.
  • "Florine Stettheimer: Painting Poetry" : October 21, 2017-January 28, 2018, Art Gallery of Ontario, Toronto, Ontario, Canada.
Summary, etc
  • A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York, Florine Stettheimer (1871-1944). Stettheimer was a New York original: a society lady who hosted an avant-garde salon in her Manhattan home, a bohemian and a flapper, a poet, a theater designer, and above all an influential painter with a sharp satirical wit. Stettheimer collaborated with Gertrude Stein and Virgil Thomson, befriended (and took French lessons from) Marcel Duchamp, and was a member of Alfred Stieglitz and Georgia O'Keeffe's artistic and intellectual circle. Beautifully illustrated with 150 color images, including the majority of the artist's extant paintings, as well as drawings, theater designs, and ephemera, this volume also highlights Stettheimer's poetry and gives her a long overdue critical reassessment.
Subject - Personal Name
Subject - Topical Term
Subject - Geographic Name
Added Entry - Corporate Name
ISBN
  • 978-0-300-22198-5
  • 0-300-22198-3
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*5208 $aA new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York, Florine Stettheimer (1871-1944). Stettheimer was a New York original: a society lady who hosted an avant-garde salon in her Manhattan home, a bohemian and a flapper, a poet, a theater designer, and above all an influential painter with a sharp satirical wit. Stettheimer collaborated with Gertrude Stein and Virgil Thomson, befriended (and took French lessons from) Marcel Duchamp, and was a member of Alfred Stieglitz and Georgia O'Keeffe's artistic and intellectual circle. Beautifully illustrated with 150 color images, including the majority of the artist's extant paintings, as well as drawings, theater designs, and ephemera, this volume also highlights Stettheimer's poetry and gives her a long overdue critical reassessment.
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A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York



Florine Stettheimer (1871-1944) was a New York original: a society lady who hosted an avant-garde salon in her Manhattan home, a bohemian and a flapper, a poet, a theater designer, and above all an influential painter with a sharp satirical wit. Stettheimer collaborated with Gertrude Stein and Virgil Thomson, befriended (and took French lessons from) Marcel Duchamp, and was a member of Alfred Stieglitz and Georgia O'Keeffe's artistic and intellectual circle. Beautifully illustrated with 150 color images, including the majority of the artist's extant paintings, as well as drawings, theater designs, and ephemera, this volume also highlights Stettheimer's poetry and gives her a long overdue critical reassessment.



The essays published here--as well as a roundtable discussion by seven leading contemporary female artists--overturn the traditional perception of Stettheimer as an artist of mere novelties. Her work is linked not only to American modernism and the New York bohemian scene before World War II but also to a range of art practices active today. Flamboyant and epicurean, she was an astute documenter of New York and parodist of her social milieu; her highly decorative scenes borrowed from Surrealism and contributed to the beginnings of a feminist aesthetic.



Published in association with the Jewish Museum, New York, and the Art Gallery of Ontario



Exhibition Schedule:

The Jewish Museum, New York
(05/05/17-09/24/17)

Art Gallery of Ontario
(10/21/17-01/28/18)

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