Konstfacks bibliotek

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*1001 $aTeh, David$eauthor.$4aut
*24510$aArtist-to-artist :$bindependent art festivals in Chiang Mai 1992-98 /$cDavid Teh ; with additional texts by Patrick D. Flores, May Adadol Ingawanij, David Morris and Rosalind C. Morris; and an extended oral history with contributions from participating artists, organisers and others.
*264 1$c2018
*264 1$aLondon :$bAfterall Books :$bin association with Asia Art Archive and the Center for Curatorial Studies, Bard College,$c2018.
*300  $a288 pages$billustrations (some color),$c22 cm.
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*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*340  $b22 cm.
*4900 $aExhibition histories.
*504  $aIncludes bibliographical references (page 282-283) and index.
*5058 $tIntroduction: artist-to-artist /$rDavid Morris and David Teh --$tArtist-to-artist: Chiang Mai Social Installation in historical perspective /$tDavid Teh --$tIndependent art festivals in Chiang Mai 1992-98 --$tOral histories of Chiang Mai Social Installation --$t'Art Festival: Temples and cemeteries', November 1992-February 1993 --$t'Chiang Mai Social Installation: Second Art Festival: Temples, Cemeteries, Private-Residences, Public Buildings, Streets, Bridges, Walls, Rivers and Canals, Open Spaces', November 1993-February 1994 --$tWeek of Cooperative Suffering, 1-7 January 1995 --$t'Chiang Mai Social Installation: Third Art and Cultural Festival: Temples, Cemeteries, Private-Residences, Public Buildings, Streets, Bridges, Walls, Rivers and Canals, Open Spaces', November 1995-February 1996 --$tWeek of Cooperative Suffering, 1-7 January 1996 --$tWeek of Cooperative Suffering, 1-7 January 1997 --$t'Chiang Mai Social Installation: Fourth Art and Cultural Festival: Temples, Cemeteries, Private-Residences, Public Buildings, Streets, Bridges, Walls, Rivers and Canals, Open Spaces', December 1997-January 1998 --$tChiang Mai: looking back at the nineties /$rRosalind C. Morris --$tArt's potentiality revisited: Araya Rasdjarmrearnsook's late style and Chiang Mai Social Installation /$rMay Adadol Ingawanij --$tA changing world: phases of the installative in Southeast Asia /$rPatrick D. Flores.
*599  $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*648 7$a1990-talet$0https://id.kb.se/term/sao/1990-talet$2sao
*650 7$aKonstutställningar$0https://id.kb.se/term/sao/Konstutst%C3%A4llningar$2sao
*650 7$aFestivaler$2sao$0https://id.kb.se/term/sao/Festivaler
*650 0$aArt, Thai$y20th century.
*650 0$aArt festivals$zThailand$zChiang Mai.
*650 0$aAlternative spaces (Arts facilities)$zThailand$zChiang Mai.
*650 0$aArt and society$zThailand$zChiang Mai$y20th century.
*650 0$aFestivals
*650 0$aArt - Exhibitions
*651 4$aThailand$0https://libris.kb.se/fcrtsttz36c6892#it
*655 4$0https://id.kb.se/marc/Bibliography
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*830 0$aExhibition histories
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Founded on an ethos of friendship, and emerging amidst a regional constellation of artists' initiatives and independent spaces, the series of festivals known as Chiang Mai Social Installation, staged contemporary art within everyday urban life of this city in northern Thailand.From temples and cemeteries to libraries, the town square, and even a dental clinic, these artist-led interventions present a self funded, anarchic alternative to Southeast Asia's subsequently expanding biennial culture while also marking the emergence of a wider contemporary moment.The first comprehensive publication on these projects, this book presents extensive photographic documentation alongside a multi-vocal account by its participants.David Teh's main essay offers detailed contextualisation and analysis, and is complemented by contributions from Patrick D. Flores, May Adadol Ingawanij, Uthit Athimana, Thasnai Sethaseree and participating artists.Part of the Exhibition Histories Series and co-published with Afterall in association with the Center for Curatorial Studies (CCS), Bard College, New York.