Konstfacks bibliotek

The book
Komihåglistan är tom
Vis
Hylla
  • GRAFISK DESIGN - Aea
Personnamn
Titel och upphov
  • The book
Utgivning, distribution etc.
  • 2018 Cambridge, Massachusetts : The MIT Press, [2018]
Utgivningsår
  • 2018
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • xvi, 322 pages 18 cm.
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • The book as object, as content, as idea, as interface.0What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.0Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
Term
Annat medium
  • Electronic version: Borsuk, Amaranth, 1980- Book. [Cambridge, Massachusetts : The MIT Press, [2018] ISBN 9780262346887
ISBN
  • 9780262535410
  • 0262535416
Antal i kö:
  • 0 (0)
*000     cam a       mi 4500
*00142629
*00520180820170103.0
*008180117s2018    maua|||||b||||001 0|eng|d
*020  $a9780262535410$qpaperback
*020  $a0262535416$qpaperback
*035  $a(OCoLC)on1004091449
*035  $a(OCoLC)1004091449
*035  $a(SE-LIBR)22284525
*040  $aYDX$beng$cYDX$erda
*041  $aeng
*050 4$aZ4$b.B67 2018
*08204$a002$223
*084  $aAea$2kssb/8
*1001 $aBorsuk, Amaranth,$d1980-$eauthor.
*24514$aThe book /$cAmaranth Borsuk.
*264 1$c2018
*264 1$aCambridge, Massachusetts :$bThe MIT Press,$c[2018]
*300  $axvi, 322 pages$c18 cm.
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*340  $b18 cm.
*4901 $aMIT Press essential knowledge series
*504  $aIncludes bibliographical references and index.
*5208 $aThe book as object, as content, as idea, as interface.0What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.0Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
*650 7$aBöcker$2sao$0https://id.kb.se/term/sao/B%C3%B6cker
*650 0$aBooks.
*650 0$aBooks
*77608$iElectronic version:$aBorsuk, Amaranth, 1980-$tBook.$d[Cambridge, Massachusetts : The MIT Press, [2018]$z9780262346887$wIMP(SE-LIBR)(OCoLC)1033673352
*830 0$aMIT Press essential knowledge series
*841  $5Ko$au  a$b180820||0000|||||000||||||000000$e|
*852  $5Ko$bKo$cGRAFISK DESIGN -$hAea
*887  $a{"@id":"5phznt2h1b2dlkd","modified":"2018-08-20T17:01:03.22+02:00","checksum":"157397982540"}$2librisxl
*887  $5Ko$a{"@id":"ktns182zh19zsk7z","modified":"2018-08-20T17:01:36.741+02:00","checksum":"9944404865"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här för att vara den första som skriver ett omdöme.

The book as object, as content, as idea, as interface.

What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.

Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.

  • p. vii
  • p. ix
  • p. 1
  • p. 61
  • p. 111
  • p. 197
  • p. 259
  • p. 265
  • p. 279
  • p. 297
  • p. 309
  • p. 317
Sänd till
Ex.namnStatusFörfallodagTillhörPlatsHylla
Ex1Tillgängligt Konstfacks bibliotek GRAFISK DESIGN - Aea