Konstfacks bibliotek

Basquiat - boom for real
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  • KONST - Ibz Basquiat, Jean-Michel
Titel och upphov
  • Basquiat - boom for real
Varianttitel
  • Boom for real
Utgivning, distribution etc.
  • Munich : Prestel, 2017.
Utgivningsår
  • 2017
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 295 pages : illustrations (black and white, and colour) ; 29 cm
Anmärkning: Allmän
  • Published on the occasion of the exhibition of the same name held at Barbican Art Gallery, 21st September 2017-28th January 2018, and at Schirn Kunstalle Frankfurt, 16th February-27th May 2018.
  • Published in association with Barbican Art Gallery.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO(c). He went on to work on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. Accompanying a major exhibition at the Barbican Art Gallery, this book opens with introductory essays from the curators, includes six thematic chapters which offer new research, and features extended captions, rare archival material and extensive photography.
Anmärkning: Målgrupp
  • Specialized.
Personnamn
Institutionsnamn
ISBN
  • 978-3-7913-5636-5 (hbk.)
Antal i kö:
  • 0 (0)
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*020  $a978-3-7913-5636-5 (hbk.)
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*084  $aIbz Basquiat, Jean-Michel$2kssb/8
*24500$aBasquiat - boom for real /$cedited by Dieter Buchhart and Eleanor Nairne with Lotte Johnson.
*24630$aBoom for real
*264 1$aMunich :$bPrestel,$c2017.
*300  $a295 pages :$billustrations (black and white, and colour) ;$c29 cm
*336  $atext$2rdacontent
*336  $astill image$2rdacontent
*337  $aunmediated$2rdamedia
*338  $avolume$2rdacarrier
*500  $aPublished on the occasion of the exhibition of the same name held at Barbican Art Gallery, 21st September 2017-28th January 2018, and at Schirn Kunstalle Frankfurt, 16th February-27th May 2018.
*500  $aPublished in association with Barbican Art Gallery.
*504  $aIncludes bibliographical references and index.
*5208 $aBasquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO(c). He went on to work on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. Accompanying a major exhibition at the Barbican Art Gallery, this book opens with introductory essays from the curators, includes six thematic chapters which offer new research, and features extended captions, rare archival material and extensive photography.
*521  $aSpecialized.
*60014$aBasquiat, Jean-Michel,$d1960-1988
*7001 $aBuchhart, Dieter,$d1971-$4edt
*7001 $aNairne, Eleanor$4edt
*7001 $aJohnson, Lotte$4edt
*7102 $aBarbican Art Gallery$4his
*7102 $aSchirn Kunsthalle Frankfurt$4his
*852  $5Ko$cKONST -$hIbz Basquiat, Jean-Michel
^
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Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO(c). He went on to work on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. Accompanying a major exhibition at the Barbican Art Gallery, this book opens with introductory essays from the curators, which place his practice in a wider art historical context and look at his career through the lens of performance. Six thematic chapters offer new research, with essays from poet Christian Campbell on SAMO(c); curator Carlo McCormick on New York / New Wave; writer Glenn O'Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat's relationship to film and television; and music scholar Francesco Martinelli on Basquiat's obsession with jazz. This insightful new survey also features extended captions, rare archival material, and extensive photography, demonstrating how Basquiat's legacy remains more powerful and relevant than ever today.

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