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Title Statement Remediation : understanding new media
Publication, Distribution, etc. (Imprint) MIT Press, Cambridge, Mass. : cop. 1999
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Physical Description xi, 295 s. : ill. (vissa i färg) ; 24 cm
ISBN 0-262-02452-7 (inb.) 0-262-52279-9 (hft.) 978-0-262-02452-5 (inb.) 978-0-262-52279-3 (2000, hft.)
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Media critics remain captivated by the modernist myth of the new: they assume that digital technologies such as the World Wide Web, virtual reality, and computer graphics must divorce themselves from earlier media for a new set of aesthetic and cultural principles. This text offers a theory of mediation for our digital age that challenges this assumption. They argue that visual media achieve their cultural significance precisely by paying homage to, rivaling, and refashioning such earlier media as perspective painting, photography, film and television. They call this process of refashioning remediation and they note that earlier media have also refashioned one another: photography remidiated painting, film remediated stage production and photography, and television remediated film, vaudeville and radio.
Preface p. viii Introduction: The Double Logic of Remediation p. 2 Theory Immediacy, Hypermediacy, and Remediation p. 20 Mediation and Remediation p. 52 Networks of Remediation p. 64 Media Computer Games p. 88 Digital Photography p. 104 Photorealistic Graphics p. 114 Digital Art p. 132 Film p. 146 Virtual Reality p. 160 Mediated Spaces p. 168 Television p. 184 The World Wide Web p. 196 Ubiquitous Computing p. 212 Convergence p. 220 Self The Remediated Self p. 230 The Virtual Self p. 242 The Networked Self p. 256 Conclusion p. 266 Glossary p. 272 References p. 276 Index p. 286