Konstfacks bibliotek

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*008180823s2018    enka|||||b||||001 0|eng|d
*020  $a9781784534141
*020  $a1784534145
*020  $a1784534153
*020  $a9781784534158
*035  $a(OCoLC)ocn909250595
*035  $a(SE-LIBR)ktn5mjjshzlpn4sr
*040  $aKo$beng$cERASA$erda
*041  $aeng
*050 4$aN6490
*08204$a700.411
*084  $aIb.5$2kssb/8
*1001 $aMcCartney, Nicola$4aut
*24510$aDeath of the artist :$bart world dissidents and their alternative identities /$cNicola McCartney.
*264 1$c2018
*264 1$aLondon :$bI.B. Tauris & Co. Ltd.$c2018.
*300  $a294 pages$billustrations (black and white)$c22 cm
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*340  $b22 cm
*504  $aIncludes bibliographical references (pages 245-283) and index.
*599  $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*650 7$aKonstnärer$0https://id.kb.se/term/sao/Konstn%C3%A4rer$2sao
*650 7$aIdentitet (filosofi) i konsten$2sao$0https://id.kb.se/term/sao/Identitet%20%28filosofi%29%20i%20konsten
*650 0$aDissenters, Artistic.
*650 0$aIdentity (Philosophical concept) in art.
*650 0$aAuthorship.
*650 0$aArtists$y20th century.
*650 0$aArtists$y21st century.
*650 0$aArtists
*650 0$aIdentity (Philosophical concept) in art
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There exists a series of contemporary artists who continually defy the traditional role of the artist/author, including Art & Language, Guerrilla Girls, Bob and Roberta Smith, Marvin Gaye Chetwynd and Lucky PDF. In Death of the Artist , Nicola McCartney explores their work and uses previously unpublished interviews to provoke a vital and nuanced discussion about contemporary artistic authorship. How do emerging artists navigate intellectual property or work collectively and share the recognition? How might a pseudonym aid 'artivism'? Most strikingly, she demonstrates how an alternative identity can challenge the art market and is symptomatic of greater cultural and political rebellion. As such, this book exposes the art world's financially incentivised infrastructures, but also examines how they might be reshaped from within. In an age of cuts to arts funding and forced self-promotion, this offers an important analysis of the pressing need for the artistic community to construct new ways to reinvent itself and incite fresh responses to its work.