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Metaphors on vision / by Brakhage ; [edited with an introduction by P. Adams Sitney].
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  • Metaphors on vision / by Brakhage ; [edited with an introduction by P. Adams Sitney].
Utgivning, distribution etc.
  • Anthology Film Archives ; Light Industry, New York, NY : Brooklyn, NY : 2017.
Utgivningsår
  • 2017
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 211 pages : Illustrations ; 28 cm
Anmärkning: Allmän
  • Cover title.
  • "Featuring a corrected edition of Brakhage's text as well as a full facsimile of its distinctive original layout and copious annotations by editor P. Adams Sitney"--Back cover.
  • Includes index.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • "First published in 1963 as a special issue of Film Culture, it stands as the major theoretical statement by one of avant-garde cinema's most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. By turns lyrical, technical, and philosophical, this is a collection to be shelved alongside the commentaries of Robert Bresson and Maya Deren, Sergei Eisenstein and Nagisa Oshima. Yet despite its historical importance and undeniable influence, the complete Metaphors has remained out of print in the US for over forty years."--Light Industry website (viewed on August 24, 2017)
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Indexterm - Okontrollerad
ISBN
  • 978-0-9979102-0-9
  • 0-9979102-0-8
Antal i kö:
  • 0 (0)
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*1001 $aBrakhage, Stan,$eauthor.$d1933-2003
*24510$aMetaphors on vision / by Brakhage ; [edited with an introduction by P. Adams Sitney].
*260  $aNew York, NY :$bAnthology Film Archives ;$aBrooklyn, NY :$bLight Industry,$c2017.
*300  $a211 pages :$bIllustrations ;$c28 cm
*500  $aCover title.
*500  $a"Featuring a corrected edition of Brakhage's text as well as a full facsimile of its distinctive original layout and copious annotations by editor P. Adams Sitney"--Back cover.
*500  $aIncludes index.
*520  $a"First published in 1963 as a special issue of Film Culture, it stands as the major theoretical statement by one of avant-garde cinema's most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. By turns lyrical, technical, and philosophical, this is a collection to be shelved alongside the commentaries of Robert Bresson and Maya Deren, Sergei Eisenstein and Nagisa Oshima. Yet despite its historical importance and undeniable influence, the complete Metaphors has remained out of print in the US for over forty years."--Light Industry website (viewed on August 24, 2017)
*599  $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*60014$aBrakhage, Stan,$d1933-2003
*650 0$aExperimental films$xHistory and criticism.
*650 0$aExperimental films$xPhilosophy.
*650 7$aRegissörer$2sfit
*653  $aDirectors
*7001 $aSitney, P. Adams,
*852  $5Ko$bKo$cFILM -$hIm$lBRA
^
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"Imagine an eye unruled by man-made laws of perspective ... an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of 'Green?'" So begins Stan Brakhage's (1933-2003) classic Metaphors on Vision . Originally published in 1963 by Jonas Mekas as a special issue of Film Culture , and designed by George Maciunas, it stands as the major theoretical statement by one of avant-garde cinema's most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. Long out of print, the volume is now available in this definitive edition from Anthology Film Archives and Light Industry, featuring Brakhage's complete text in its distinctive original layout, as well as annotations by scholar P. Adams Sitney.

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