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Titel och upphov Avant-garde, internationalism, and politics : Argentine art in the sixties
Uniform titel Vanguardia, internacionalismo y política. Engelska
Utgivning, distribution etc. Duke University Press, Durham : 2007
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xv, 406 p. : ill. (some col.) ; 25 cm
Serietitel - ej biuppslagsform
Anmärkning: Allmän Translated from the Spanish.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. [373]-395) and index.
Anmärkning: Språk Translated from the Spanish.
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Geografiskt namn
ISBN 978-0-8223-3893-2 (pbk. : alk. paper) 0-8223-3893-9 (pbk. : alk. paper) 978-0-8223-3877-2 (cloth : alk. paper) 0-8223-3877-7 (cloth : alk. paper)
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*020 $a978-0-8223-3877-2 (cloth : alk. paper)
*020 $a0-8223-3877-7 (cloth : alk. paper)
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*24010$aVanguardia, internacionalismo y política.$lEngelska
*24510$aAvant-garde, internationalism, and politics :$bArgentine art in the sixties /$cAndrea Giunta ; translated by Peter Kahn
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*300 $axv, 406 p. :$bill. (some col.) ;$c25 cm
*4900 $aLatin America otherwise
*500 $aTranslated from the Spanish.
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*546 $aTranslated from the Spanish.
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*650 0$aArt, Argentine$y20th century.
*650 0$aArt$xPolitical aspects$zArgentina.
*650 0$aAvant-garde (Aesthetics)$zArgentina$xHistory$y20th century.
*651 0$aArgentina$xHistory$y1955-1983.
*7001 $aKahn, Peter$4trl
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^
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The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina's visual arts.
The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina's art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible--not least the Alliance for Progress, a U.S. program of "exchange" and "cooperation" meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution--as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta's rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.
List of Illustrations p. ix About the Series p. xi Preface and Acknowledgments p. xiii Translator's Note p. xvii Abbreviations p. xix Introduction p. 1 Modern Art on the Margins of Peronism p. 25 Postwar Chronicle p. 26 The North American Invasion p. 31 Abstract Artists Between Communists and Liberals p. 33 The Platforms for the Displaced p. 36 The Official Policy Toward Art p. 39 The French Invasion p. 42 Controversies on Abstract Art p. 45 Between Peronism and Abstract Art: Coming to Terms p. 47 Ver y Estimar on the Ramparts of Modern Art p. 48 Proclamations and Programs During the Revolucion Libertadora p. 55 The Embassies of Art p. 59 A Revitalized Museum p. 64 A New Museum for the New Art p. 67 Boa, Phases, and the International Front of the Avant-Garde p. 70 Conflicting Internationalisms p. 81 The Exploration of Materials p. 85 The "New" Art Scene p. 91 Journal of a Collector p. 96 Coming Out in Society p. 101 The First International Exhibition p. 108 The 150th Anniversary Celebrations p. 112 A Plan for Success p. 113 The Avant-Garde as Problem p. 119 The Material Limits p. 125 The Art of "Things" p. 128 An Aesthetic of Violence p. 135 Argentines in Paris p. 143 Avant-Garde and Narration p. 151 The Total Art Object p. 158 The Decentering of the Modernist Paradigm p. 163 Suspending Judgment and Embracing Novelty p. 169 Other Genealogies for Modern Art p. 171 An All-Consuming Aesthetic p. 180 Strategies of Internationalization p. 189 The American Family p. 191 International Awards for National Recognition p. 198 The Circulating MOMA Exhibitions p. 208 1964: The Year of Recognition p. 210 Biennial and Anti-Biennial p. 221 The Culmination of Internationalism p. 227 The Aporias of Internationalism p. 233 The Avant-Garde Between Art and Politics p. 243 The Artist as Intellectual p. 246 A "Plastic" Crime p. 249 The Politics of Assemblage p. 256 The Avant-Garde Between the Two Boundaries p. 264 Art as a Collective and Violent Action p. 267 Conclusions p. 281 Notes p. 291 Bibliography p. 373 Index p. 397