Konstfacks bibliotek

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*00141918
*00520170609030837.8
*008151209s2016    gw a          000 0 eng c
*015  $a15N50$2dnb
*0167 $a1079747931$2DE-101
*020  $a978-3-95829-100-3$c: EUR 77.20 (AT)
*0243 $a9783958291003
*035  $a(SE-LIBR)19850460
*035  $a(Ko)49306
*040  $bger$cGBVCP$erda$dN
*0410 $aeng
*084  $a21.42$2bcl
*24510$aProvoke :$bbetween protest and performance : photography in Japan 1960/1975 /$cedited by Diane Dufour, Matthew Witkovsky with Duncan Forbes and Walter Moser
*250  $aFirst edition
*2603 $aGöttingen$bSteidl$c2016
*300  $a679 Seiten$c25 cm
*500  $a"This book is published on the occasion of the exhibition: 'Provoke: Between Protest and Performance - Photography in Japan 1960/1975'. Exhibition venues: Albertina, Vienna, January 29-May 8, 2016, Fotomuseum Winterthur, May 28-August 28, 2016, LE BAL, Paris, September 14-December 11, 2016, The Art Institute of Chicago, January 28-April 30, 2017" - Seite 679
*599  $aImported from: z3950.gbv.de:210/gvk (Do not remove)
*650 7$aFotografie$2gnd
*650 7$aFotografi$2sao
*650 7$aFotokonst$2sao
*650 0$aPhotography
*650 0$aPhotography, Artistic
*651 7$aJapan$2gnd$0https://libris.kb.se/53hkj6mp5hgzjd3#it
*655 7$aUtställningskataloger$2saogf
*7001 $aDufour, Diane$4edt
*7001 $aWitkovsky, Matthew$4edt
*7001 $aForbes, Duncan$4edt
*7001 $aMoser, Walter$4edt
*7102 $aAlbertina$4his
*7102 $aFotomuseum Winterthur$4his
*7102 $aArt Institute of Chicago$4his
*7102 $aGerhard Steidl GmbH & Co. oHG$4pbl
*7112 $aExhibition$d2016.01.29-05.08$cWien
*7112 $aExhibition$d2016.05.28-08.28$cWinterthur
*7112 $aExhibition$d2016.09.14-12.11$cParis
*852  $5Ko$bKo$cFOTOGRAFI -$hInb-o$lPRO
*85642$uhttp://deposit.d-nb.de/cgi-bin/dokserv?id=94ca5d56f4c64db39b4c2bc037ecaa8a&prov=M&dok_var=1&dok_ext=htm$mX:MVB$qtext/html$3Inhaltstext
*950  $aFoto$uFotografi
*950  $wh$aAmatörfotografi$uFotografi
*950  $wh$aArkitekturfotografi$uFotografi
*950  $wh$aAteljéfotografi$uFotografi
*950  $wh$aBildkomposition (fotografi)$uFotografi
*950  $wh$aCyanotypi$uFotografi
*950  $wh$aDigital fotografi$uFotografi
*950  $wh$aDokumentärfotografi$uFotografi
*950  $wh$aErotisk fotografi$uFotografi
*950  $wh$aFlygfotografi$uFotografi
*950  $wh$aFotocollage$uFotografi
*950  $wh$aFotografi och litteratur$uFotografi
*950  $wh$aFotografi som propaganda$uFotografi
*950  $wh$aFotojournalistik$uFotografi
*950  $wh$aFotoklubbar$uFotografi
*950  $wh$aFotokonst$uFotografi
*950  $wh$aFotomekanisk reproduktion$uFotografi
*950  $wh$aFotomontage$uFotografi
*950  $wh$aFototeknik$uFotografi
*950  $wh$aFototävlingar$uFotografi
*950  $wh$aFågelfotografi$uFotografi
*950  $wh$aFärgfotografi$uFotografi
*950  $wh$aGatufotografi$uFotografi
*950  $wh$aHålkamerafotografi$uFotografi
*950  $wh$aIscensatt fotografi$uFotografi
*950  $wh$aKalotypi$uFotografi
*950  $wh$aKirlianfotografi$uFotografi
*950  $wh$aKriminaltekniskt fotografi$uFotografi
*950  $wh$aLandskapsfotografi$uFotografi
*950  $wh$aModefotografi$uFotografi
*950  $wh$aNakenfotografi$uFotografi
*950  $wh$aNaturfotografi$uFotografi
*950  $wh$aNärbildsfotografi$uFotografi
*950  $wh$aPanoramafotografi$uFotografi
*950  $wh$aPolaroidfotografi$uFotografi
*950  $wh$aPorträttfotografi$uFotografi
*950  $wh$aPressfotografi$uFotografi
*950  $wh$aReklamfotografi$uFotografi
*950  $wh$aReportagefotografi$uFotografi
*950  $wh$aSnapshot (fotografi)$uFotografi
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*950  $wh$aSvartvitt fotografi$uFotografi
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*950  $wh$aTeknisk fotografi$uFotografi
*950  $wh$aTelefotografi$uFotografi
*950  $wh$aUndervattensfotografi$uFotografi
*950  $wh$aVetenskaplig fotografi$uFotografi
*950  $wh$aVäxtfotografi$uFotografi
*950  $aFotografisamlingar$uFotografi
*950  $aKonst$uFotografi
*950  $aFotografisk konst$uFotokonst
*950  $aKonstnärlig fotografi$uFotokonst
*950  $aFotografi$wg$uFotokonst
*950  $aKonst$wg$uFotokonst
*950  $aSnapshot (fotografi)$wh$uFotokonst
*950  $aFotokonstnärer$uFotokonst
*951  $aNihon$uJapan
*951  $aNippon$uJapan
*955  $aMuseiutställningskataloger$uUtställningskataloger
*955  $aUtställningar (kataloger)$uUtställningskataloger
*955  $wg$aKataloger$uUtställningskataloger
*955  $aKataloger$wg$uUtställningskataloger
*955  $aBiblioteksutställningskataloger$uUtställningskataloger
*955  $aDemonstrationskataloger$uUtställningskataloger
^

The short-lived Japanese magazine Provoke is recognized as a major achievement in world photography of the postwar era, uniting the country's most contentious examples of protest photography, vanguard fine art, and critical theory of the late 1960s and early 70s in only three issues overall. Provoke is accordingly treated here as a model synthesis of the complexities and overlapping uses of photography in postwar Japan. The writing and images by Provoke's members - critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yutaka Takanashi, Daido Moriyama - were suffused with the tactics developed in some Japanese protest books which made use of innovative graphic design and provocatively "poor" materials. Recording live actions, photography in these years was also an expressive form suited to emphasize and critique the mythologies of modern life with a wide spectrum of performing artists such as Nobuyoshi Araki, Koji Enokura and Jiro Takamatsu.

This catalogue accompanies the first exhibition ever to be held about the magazine and its creators and focuses on its historical context. It covers the preliminary period leading to its first and the aftermath following its last issue. Provoke takes shape as a strongly interpretative explanation of currents in Japanese art and society at a moment of historical collapse and renewal.