Konstfacks bibliotek

   
After uniqueness : a history of film and video art in circulation
Komihåglistan är tom
Vis
Hylla
  • KONST - Ibhe
Personnamn
Titel och upphov
  • After uniqueness : a history of film and video art in circulation
Utgivningsår
  • 2017
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 296 s. : ill.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehåll
  • Introduction: Copy rites -- The promise and threat of reproducibility -- 8 mm and the "blessings of books and records" -- Bootlegging experimental film -- Copyright and the commons -- The limited edition -- The event of projection -- A cinematic Bayreuth -- Transmission, from the movie-drome to vdrome.
Term
ISBN
  • 9780231176927 (cloth : alk. paper)
  • 9780231176934 (pbk. : alk. paper)
Antal i kö:
  • 0 (0)
*00001638nam a22004217a 4500
*00141697
*00520170321084233.1
*008170320s2017    xxua     b    001 0 eng
*010  $a2016040252
*020  $a9780231176927 (cloth : alk. paper)
*020  $a9780231176934 (pbk. : alk. paper)
*020  $z9780231543125 (e-book)
*035  $a(SE-LIBR)20172390
*035  $a(Ko)49054
*040  $aDLC$beng$erda$cDLC
*042  $apcc
*05000$aPN1995.9.A8$bB35 2017
*08200$a302.23/43$223
*084  $aIbhe$2kssb/8
*084  $aImbah$2kssb/8
*084  $aImac$2kssb/8
*1001 $aBalsom, Erika
*24510$aAfter uniqueness :$ba history of film and video art in circulation /$cErika Balsom.
*300  $a296 s. :$bill.
*504  $aIncludes bibliographical references and index.
*5050 $aIntroduction: Copy rites -- The promise and threat of reproducibility -- 8 mm and the "blessings of books and records" -- Bootlegging experimental film -- Copyright and the commons -- The limited edition -- The event of projection -- A cinematic Bayreuth -- Transmission, from the movie-drome to vdrome.
*599  $aImported from: lx2.loc.gov:210/LCDB (Do not remove)
*650 7$aVideokonst$2sao$0162401
*650 7$aFilmdistribution$2sao$0144982
*650 0$aMotion picture audiences$xHistory.
*650 0$aVideo art$xHistory.
*650 0$aMotion pictures and the arts.
*650 0$aArt and motion pictures.
*650 0$aMotion picture industry$xTechnological innovations.
*650 0$aMotion pictures$xDistribution
*650 0$aVideo art
*852  $5Ko$bKo$cKONST -$hIbhe$lBAL
^
Det finns inga omdömen till denna titeln.
Klicka här för att vara den första som skriver ett omdöme.

Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity--or both at once.

From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.

Sänd till
Ex.namnStatusFörfallodagTillhörPlatsHylla
 Tillgängligt Konstfacks bibliotek KONST - Ibhe