Konstfacks bibliotek

*00004222nam a22003858i 4500
*00141696
*00520170321030833.1
*008160805s2017    mau      b    000 0 eng
*010  $a2016036120
*020  $a978-0-262-53344-7 (pbk. : alk. paper)
*020  $a0-262-53344-8 (pbk. : alk. paper)
*035  $a(SE-LIBR)20101814
*035  $a(Ko)49053
*040  $aDLC$beng$erda$cDLC$dOCLCO$dBDX$dYDX$dOCLCF$dBTCTA$dMYG$dS
*042  $apcc
*05000$aNX650.E46$bB67 2017
*08200$a700/.453$223
*084  $aI$2kssb/8 (machine generated)
*24500$aBoredom /$cedited by Tom McDonough.
*263  $a1702
*300  $a236 pages ;$c21 cm.
*4901 $aDocuments of contemporary art
*504  $aIncludes bibliographical references.
*50500$tExperience without qualities /$rElizabeth S. Goodstein --$tThe Arcades Project /$rWalter Benjamin --$tBoredom and art /$rJulian Jason Haladyn --$tBoredom /$rSiefgried Kracauer --$tBoredom and bedroom : the suppression of the habitual /$rGeorges Teyssot --$tAftershocks of the new: feminism and film history$rPatrice Petro --$tFormulary for a new urbanism /$rIvan Chtcheglov --$tThe adventure /$rSituationist International --$tCritique of everyday life /$rHenri Lefebvre --$tEveryday speech /$rMaurice Blanchot --$tThings : a story of the sixties /$rGeorges Perec --$tThe revolution of everyday life /$rRaoul Vaneigem --$tNow, the SI /$rSadie Plant --$tSilence /$rJohn Cage --$tThe aesthetic of indifference /$rMoira Roth --$tIdentification /$rJonathan D. Katz --$tBoredom and danger /$rDick Higgins --$tBoredom and oblivion /$rIna Blom --$tIn conversation with Joseph Gelmis /$rAndy Warhol -- Notes after reseeing the movies of Andy Warhol /$rJonas Mekas --$tWarhol's aura and the language of writing /$rTan Lin --
*50580$tOn parts of some sextets /$rYvonne Rainer --$tThree folds in the fabric and four autobiographical asides as allegories (or interruptions) /$rRobert Morris --$tABC art /$rBarbara Rose --$tThe aesthetics of silence /$rSusan Sontag --$tThe legacy of indifference /$rNicolas Bourriaud --$tAllegories of boredom /$rJonathan Flatley --$tNo more boring art /$rJohn Miller --$tThe feminine mystique /$rBetty Friedan --$tLes belles images /$rSimone de Beauvoir --$tManifesto! Maintenance art : proposal for an exhibition "Care" /$rMierle Laderman Ukeles --$tWaiting /$rFaith Wilding --$tOn Jeanne Dielmann /$rIvone Margulies --$tI must be boring someone /$rJennifer Doyle --$tS.C.U.M manifesto /$rValerie Solanas --$tSigmar Polke - a contemporary visionary : in conversation with Mark Godfrey /$rPeter Fischli --$tEngland's dreaming : anarchy, Sex Pistols, punk rock and beyond /$rJon Savage --$tThe producer as artist /$rDan Graham --$tThe last Sex Pistols concert /$rGreil Marcus --$tBleached roots : punks and white ethnicity /$rDick Hebdige --$tCBGB as a physical space /$rRichard Hell --$tOn the politics of boredom (a Communist pastiche) /$rGeoff Waite --
*50580$tHomo sovieticus /$rAleksandr Zinoviev --$tThe aesthetics of boredom : Lithuanian photography 1980-1990 /$rAgne Narusyte --$tPhotographic ethics in the work of Boris Mikhailov /$rAlla Efimova --$tOn emptiness /$rIlya Kabakov --$tNegative emptiness /$rMikhail Epstein --$tComrades of time /$rBoris Groys --$tCase history and clinical report on the pastiche of boredom /$rCritical Art Ensemble --$tThe pale king /$rDavid Foster Wallace --$tStuplimity /$rSianne Ngai --$tThe performance-management model of performative subjectivity /$rChristine Ross --$tThe cold world /$rDominic Fox --$tBedrooms boredoms (short escapes in New York City) /$rBernadette Corporation --$tDear R. /$rClaire Fontaine --$tThe coming insurrection /$rThe Invisible Committee --$tLazy labour: chronopolitical remarks /$rSven Lütticken --$tArt time /$rPeter Osborne --$tIn conversation with Malcolm McLaren /$rStefan Brüggemann --$tTwelve words, nine days /$rChris Kraus.
*650 0$aEmotions in art.
*650 0$aBoredom.
*650 7$aBoredom.
*650 7$aEmotions in art.
*650  $aArtists' writings
*7001 $aMcDonough, Tom,$d1969-
*830 0$aDocuments of contemporary art series.
*852  $5Ko$bKo$cKONST -$hIbvz Långtråkighet$lBOR
^

Boredom in modern and contemporary art- as something to be struggled against, embraced as an experience, or explored as a potential site of resistance. Without boredom, arguably there is no modernity. The current sense of the word emerged simultaneously with industrialization, mass politics, and consumerism. From Manet onwards, when art represents the everyday within modern life, encounters with tedium are inevitable. And starting with modernism's retreat into abstraction through subsequent demands placed on audiences, from the late 1960s to the present, the viewer's endurance of repetition, slowness or other forms of monotony has become an anticipated feature of gallery-going.
In contemporary art, boredom is no longer viewed as a singular experience; rather, it is contingent on diverse social identifications and cultural positions, and exists along a spectrum stretching from a malign condition to be struggled against to an something to be embraced or explored as a site of resistance. This anthology contextualizes the range of boredoms associated with our neoliberal moment, taking a long view that encompasses the political critique of boredom in 1960s France; the simultaneous aesthetic embrace in the United States of silence, repetition, or indifference in Fluxus, Pop, Minimalism and conceptual art; the development of feminist diagnoses of malaise in art, performance, and film; punk's social critique and its influence on theories of the postmodern; and the recognition, beginning at the end of the 1980s, of a specific form of ennui experienced in former communist states. Today, with the emergence of new forms of labor alienation and personal intrusion, deadening forces extend even further into subjective experience, making the divide between a critical and an aesthetic use of boredom ever more tenuous.
Artists surveyed include
Chantal Akerman, Francis Al s, John Baldessari, Vanessa Beecroft, Bernadette Corporation, John Cage, Critical Art Ensemble, Merce Cunningham, Marcel Duchamp, Fischli & Weiss, Claire Fontaine, Dick Higgins, Jasper Johns, Donald Judd, Ilya Kabakov, Boris Mikhailov, Robert Morris, John Pilson, Sigmar Polke, Yvonne Rainer, Robert Rauschenberg, Ad Reinhardt, Gerhard Richter, Situationist International, Mierle Laderman Ukeles, Andy Warhol, Faith Wilding, Janet Zweig
Writers include
Ina Blom, Nicolas Bourriaud, Jennifer Doyle, Alla Efimova, Jonathan Flatley, Julian Jason Haladyn, The Invisible Committee, Jonathan D. Katz, Chris Kraus, Tan Lin, Sven L tticken, John Miller, Agne Narusyte, Sianne Ngai, Peter Osborne, Patrice Petro, Christine Ross, Moira Roth, David Foster Wallace, Aleksandr Zinovyev