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A thousand eyes : media technology, law, and aesthetics
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  • KONST - Ia
Titel och upphov
  • A thousand eyes : media technology, law, and aesthetics
Utgivning, distribution etc.
  • Sternberg Press, Berlin : 2011
Utgivningsår
  • 2011
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 274 p. : ill. (some col.) ; 22 cm.
Anmärkning: Allmän
  • "...published on the occasion of the exhibition of Judy Radul's World Rehearsal Court, curated by Tone Hansen, Henie Onstad Art Centre Oslo, Norway June 19 - October 2, 2011"--T. p. verso.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references.
Anmärkning: Innehåll
  • Marble columns and Jupiter lights : theatrical and cinematic modeling of Soviet show trials in the 1920s / Julie A. Cassiday -- Archive images : truth or memory : the case of Adolf Eichmann's trial / Eyal Sivan -- Tele-tribunals : anatomy of a medium / Cornelia Vismann -- In between : power and procedure where the court meets the public sphere / Richard Mohr -- Video chamber / Judy Radul -- Screening law / Peter Goodrich -- Must justice be blind : the challenge of images to the law / Martin Jay -- Sublime law : on legal and aesthetic judgments / CostasDouzinas -- Law and the evidential image / Piyel Haldar -- The testamentary whisper / Avital Ronell.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • "Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. [...] To an increasing extent the law is present on screen, and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media."--Back cover.
Term
Okontrollerad titel
  • World rehearsal court
ISBN
  • 978-1-934105-88-7
  • 978-1-934105-66-5
  • 1-934105-66-X
Antal i kö:
  • 0 (0)
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*300  $a274 p. :$bill. (some col.) ;$c22 cm.
*500  $a"...published on the occasion of the exhibition of Judy Radul's World Rehearsal Court, curated by Tone Hansen, Henie Onstad Art Centre Oslo, Norway June 19 - October 2, 2011"--T. p. verso.
*504  $aIncludes bibliographical references.
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*520  $a"Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. [...] To an increasing extent the law is present on screen, and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media."--Back cover.
*650 0$aLaw and aesthetics.
*650 0$aLaw and art.
*650 0$aMultimedia (Art)$y20th century$xThemes, motives.
*650 0$aMultimedia (Art)$y21st century$xThemes, motives.
*650 0$aCulture and law.
*650 0$aArt and morals.
*650 7$aKonst och samhälle$2sao
*650 7$aRepresentation (filosofi)$2sao
*650 7$aLag och moral$xestetiska aspekter$2sao
*650 7$aDigitala medier$xestetiska aspekter$2sao
*650 7$aMedierätt$2sao$0https://id.kb.se/term/sao/Medier%C3%A4tt
*650 7$aLitteratur och teknik$2sao
*650 0$aRepresentation (Philosophy)
*650 0$aLiterature and technology
*650 0$aArt and society
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*7001 $aRadul, Judy$4edt
*7400 $aWorld rehearsal court
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*950  $aKonst och politik$wh$uKonst och samhälle
*950  $aKonstpolitik$uKonst och samhälle
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Artist, writer, and musician Hassan Khan explores the margins at which a vernacular, be it linguistic or formal, attains its stature. Through a series of narrative portraits and accompanying images of his recent sculptures, Khan's seemingly ubiquitous tales are in fact an attempt to let a story tell itself.

The bilingual (English/Arabic) book includes five short stories based on observation that engage the reader with very particular yet uncannily recognizable characters and occurrences. This sense of recognition emanates from a certain quality the stories embody rather than in any specific details they convey. The specific cultural, aesthetic, and personal sensibility through which the stories are filtered is further revealed when considered in relation to the accompanying images of sculptural objects explicitly produced for this purpose and based on the demotic style of popular kitsch ornaments.

This book is published on the occasion of "The Twist," a solo exhibition of Hassan Khan's work at Objectif Exhibitions (September 3-October 22, 2011), curated by Mai Abu ElDahab.

Published by Sternberg Press, Objectif Exhibitions, and Galerie Chantal Crousel

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