Location
Title Statement A thousand eyes : media technology, law, and aesthetics
Publication, Distribution, etc. (Imprint) Sternberg Press, Berlin : 2011
Dewey Decimal Classification Number
SAB Classification Code
Physical Description 274 p. : ill. (some col.) ; 22 cm.
General Note "...published on the occasion of the exhibition of Judy Radul's World Rehearsal Court, curated by Tone Hansen, Henie Onstad Art Centre Oslo, Norway June 19 - October 2, 2011"--T. p. verso.
Bibliography, etc. Note Includes bibliographical references.
Formatted Contents Note Marble columns and Jupiter lights : theatrical and cinematic modeling of Soviet show trials in the 1920s / Julie A. Cassiday -- Archive images : truth or memory : the case of Adolf Eichmann's trial / Eyal Sivan -- Tele-tribunals : anatomy of a medium / Cornelia Vismann -- In between : power and procedure where the court meets the public sphere / Richard Mohr -- Video chamber / Judy Radul -- Screening law / Peter Goodrich -- Must justice be blind : the challenge of images to the law / Martin Jay -- Sublime law : on legal and aesthetic judgments / CostasDouzinas -- Law and the evidential image / Piyel Haldar -- The testamentary whisper / Avital Ronell.
Summary, etc "Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. [...] To an increasing extent the law is present on screen, and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media."--Back cover.
Subject - Topical Term
Added Entry - Uncontrolled Related/Analytical Title
ISBN 978-1-934105-88-7 978-1-934105-66-5 1-934105-66-X
Waiting
*00003346nam a22006137a 4500
*00141589
*00520170120030832.7
*008111026s2011 gw a 000 0 eng c
*020 $a978-1-934105-88-7
*020 $a978-1-934105-66-5
*020 $a1-934105-66-X
*035 $a(SE-LIBR)13532616
*035 $a(Ko)48924
*040 $aMYG$beng$cMYG$dMYG$dVVP$dYDXCP$dNhCcYBP$dUtOrBLW$dU$dLsol
*050 4$aK487.A3$bT46 2011
*08204$a340.11$223
*084 $aOe$2kssb/8 (machine generated)
*24512$aA thousand eyes :$bmedia technology, law, and aesthetics /$cedited by Marit Paasche & Judy Radul
*260 $aBerlin :$bSternberg Press,$c2011
*300 $a274 p. :$bill. (some col.) ;$c22 cm.
*500 $a"...published on the occasion of the exhibition of Judy Radul's World Rehearsal Court, curated by Tone Hansen, Henie Onstad Art Centre Oslo, Norway June 19 - October 2, 2011"--T. p. verso.
*504 $aIncludes bibliographical references.
*50500$tMarble columns and Jupiter lights : theatrical and cinematic modeling of Soviet show trials in the 1920s /$rJulie A. Cassiday --$tArchive images : truth or memory : the case of Adolf Eichmann's trial /$rEyal Sivan --$tTele-tribunals : anatomy of a medium /$rCornelia Vismann --$tIn between : power and procedure where the court meets the public sphere /$rRichard Mohr --$tVideo chamber /$rJudy Radul --$tScreening law /$rPeter Goodrich -- Must justice be blind : the challenge of images to the law /$rMartin Jay --$tSublime law : on legal and aesthetic judgments /$rCostasDouzinas --$tLaw and the evidential image /$rPiyel Haldar --$tThe testamentary whisper /$rAvital Ronell.
*520 $a"Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. [...] To an increasing extent the law is present on screen, and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media."--Back cover.
*650 0$aLaw and aesthetics.
*650 0$aLaw and art.
*650 0$aMultimedia (Art)$y20th century$xThemes, motives.
*650 0$aMultimedia (Art)$y21st century$xThemes, motives.
*650 0$aCulture and law.
*650 0$aArt and morals.
*650 7$aKonst och samhälle$2sao
*650 7$aRepresentation (filosofi)$2sao
*650 7$aLag och moral$xestetiska aspekter$2sao
*650 7$aDigitala medier$xestetiska aspekter$2sao
*650 7$aMedierätt$2sao$0https://id.kb.se/term/sao/Medier%C3%A4tt
*650 7$aLitteratur och teknik$2sao
*650 0$aRepresentation (Philosophy)
*650 0$aLiterature and technology
*650 0$aArt and society
*7001 $aPaasche, Marit$4edt
*7001 $aRadul, Judy$4edt
*7400 $aWorld rehearsal court
*852 $5Ko$bKo$cKONST -$hIa$lTHO
*950 $aFilosofi$wg$uRepresentation (filosofi)
*950 $aTeknik och litteratur$uLitteratur och teknik
*950 $aLitteratur$wg$uLitteratur och teknik
*950 $aTeknik$wg$uLitteratur och teknik
*950 $aSamhälle och konst$uKonst och samhälle
*950 $aArkitektur och samhälle$wh$uKonst och samhälle
*950 $aKonst och politik$wh$uKonst och samhälle
*950 $aKonstpolitik$uKonst och samhälle
^
No reviews exists for this book.
Click here
to be the first to write a review.
Artist, writer, and musician Hassan Khan explores the margins at which a vernacular, be it linguistic or formal, attains its stature. Through a series of narrative portraits and accompanying images of his recent sculptures, Khan's seemingly ubiquitous tales are in fact an attempt to let a story tell itself.
The bilingual (English/Arabic) book includes five short stories based on observation that engage the reader with very particular yet uncannily recognizable characters and occurrences. This sense of recognition emanates from a certain quality the stories embody rather than in any specific details they convey. The specific cultural, aesthetic, and personal sensibility through which the stories are filtered is further revealed when considered in relation to the accompanying images of sculptural objects explicitly produced for this purpose and based on the demotic style of popular kitsch ornaments.
This book is published on the occasion of "The Twist," a solo exhibition of Hassan Khan's work at Objectif Exhibitions (September 3-October 22, 2011), curated by Mai Abu ElDahab.
Published by Sternberg Press, Objectif Exhibitions, and Galerie Chantal Crousel