Konstfacks bibliotek

Jimmie Durham : at the center of the world
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  • KONST - Ibz Durham, Jimmie
Titel och upphov
  • Jimmie Durham : at the center of the world
Varianttitel
  • At the center of the world
Utgivningsår
  • 2017
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 318 pages : illustrations (black and white, and colour) ; 29 cm
Anmärkning: Allmän
  • Published to accompany the exhibition of the same name held at the Hammer Museum, Los Angeles, 29th January-7th May 2017, Walker Art Center, Minneapolis, 22nd June-8th October 2017, Whitney Museum of American Art, New York, 3rd November 2017-28th January 2018, Remai Modern, Saskatoon, April-July 2018.
  • Illustrations on lining papers.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references.
Anmärkning: Målgrupp
  • Specialized.
Personnamn
Institutionsnamn
ISBN
  • 978-3-7913-5568-9 (hbk.)
Antal i kö:
  • 0 (0)
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*500  $aPublished to accompany the exhibition of the same name held at the Hammer Museum, Los Angeles, 29th January-7th May 2017, Walker Art Center, Minneapolis, 22nd June-8th October 2017, Whitney Museum of American Art, New York, 3rd November 2017-28th January 2018, Remai Modern, Saskatoon, April-July 2018.
*500  $aIllustrations on lining papers.
*504  $aIncludes bibliographical references.
*521  $aSpecialized.
*599  $aImported from: wyvern.uwe.ac.uk:2200/unicorn (Do not remove)
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*7102 $aHammer Museum$4his
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^
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Published in conjunction with the first North American survey of the work of Jimmie Durham, this beautifully illustrated catalogue explores Durham's vital contributions to contemporary art since the 1970s, both in the US and internationally. Born of Cherokee descent, in 1940s Arkansas, Jimmie Durham takes up such issues as the politics of representation, histories of genocide, and citizenship and exile. This volume collects an array of Durham's sculptures, drawings, photography, video, and performance. It includes essays about Durham's material choices and their metaphoric potential; his participation in the NYC art scene in the 1980s; his use of language; and his ties to Mexico after living in Cuernavaca. An interview with Durham traces his involvement with the American Indian Movement and his self-exile from the US, which along with his essays and poetry, illuminate his life and work. This book provides an opportunity to gain a deeper understanding of Durham, arguably one of the most important artists working today.

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