Konstfacks bibliotek

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*020  $a0-262-52318-3
*020  $a978-0-262-52318-9
*020  $a0-262-02472-1$q(hc. : alk. paper)
*020  $a978-0-262-02472-3$q(hc. : alk. paper)
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*05000$aTR893.8$b.S354 2000
*084  $aLz Painlevé, Jean$2kssb/8
*084  $aImbaj$2kssb/8
*24500$aScience is fiction :$bthe films of Jean Painlevé /$cedited by Andy Masaki Bellows and Marina McDougall, with Brigitte Berg ; translations by Jeanine Herman.
*260  $aCambridge, Mass. :$bMIT Press,$c©2000.
*300  $axviii, 213 pages :$billustrations (some color) ;$c24 cm.
*500  $aIncludes index.
*504  $a"Selected writings by Jean Painlevé": pages 190-193.
*504  $a"Selected writings on Jean Painlevé": pages 194-197.
*504  $aFilmography: pages 180-187.
*50500$tContradictory forces: Jean painlevé, 1902-1989 /$rBrigitte Berg --$tFluid mechanics /$rRalph Rugoff --$tPhtograms --$tMethuselah --$tHyas and stenorphynchus --$tSeahorse --$tFourth dimension --$tVampire --$tFreshwater assassins --$tBlood of the beasts --$tBlue beard --$tSea urchins --$tLove life of the octopus --$tAcera or the withes' dance --$tPhotography --$tNeo-zoological drama /$rJean Painlevé --$tMysteries and miracles of nature /$rJean Painlevé --$tInstitute in the cellar /$rLéo Sauvage --$tFeet in the water /$rJean Painlevé --$tClay blue beard /$rPatricia Hutchins --$tScience film: accidental beauty /$rAndré Bazin --$tCastration of the documentary /$rJean painlevé --$tTen commandments /$rJean Painlevé --$tScientific film /$rJean Painlevé --$tJean Painlevé reveals the invisible /$rHélène Hazéra and Dominique Leglu --$tSelected filmography --$tSelected television and radio programs --$tSelected writings /$rLJean painlevé --$tSelected writings on Jean Painlevé
*599  $aImported from: josiah.brown.edu:210/innopac (Do not remove)
*60014$aPainlevé, Jean
*650 0$aUnderwater cinematography.
*650 7$aDokumentärfilm$2sao$0https://id.kb.se/term/sao/Dokument%C3%A4rfilm
*650 7$aUndervattensfotografi$2sao
*650 0$aDocumentary films
*650 0$aUnderwater photography
*7001 $aPainlevé, Jean$4ctb
*7001 $aBellows, Andy Masaki$4edt
*7001 $aMcDougall, Marina$4edt
*7001 $aBerg, Brigitte$4edt
*7761 $iOnline version:$tScience is fiction.$dCambridge, Mass. : MIT Press, ©2000$wIMP(OCoLC)606484959.
*852  $5Ko$bKo$hIkz Painlevé, Jean$lSCI
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*950  $aFilm$wg$uDokumentärfilm
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*950  $aUndervattensfotografering$w||e$uUndervattensfotografi
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^

The first book on pioneering French filmmaker Jean Painlevé, the father of science cinema.

One of the first to plunge underwater with a camera to bring the subaquatic world to the screen, maverick scientific documentary filmmaker Jean Painlevé (1902-1989) captured the throes of a male seahorse giving birth, the geometric choreography of crystal formation, and the mating habits of hermaphrodite mollusks. In a lifetime spanning nearly the history of cinema itself, Painlevé made over 200 films, including The Seahorse , Freshwater Assassins , The Vampire , and T he Love Life of the Octopus . His lyrical and instructive animal behavior films set to avant-garde scores were much admired by Surrealist contemporaries such as Antonin Artaud, Luis Buñuel, and Jean Vigo.

Science Is Fiction includes Marina McDougall's historically informative "Hybrid Roots," Brigitte Berg's heavily illustrated biographical essay "Contradictory Forces," art critic Ralph Rugoff's "Fluid Mechanics," a Libératio n interview with Painlevé, stills from Painlevé's most celebrated films laid out in storyboard fashion, and a selection of Painlevé's writings appearing for the first time in English. The latter include "Neo-Zoological Drama," a playful romp on the behavior of Turbellaria, or flatworms; "Mysteries and Miracles of Nature," an idiosyncratic catalog of unusual animal behavior; and "Scientific Film," a discussion of science films that pays homage to Painlevé's fellow pioneers. The book also includes French film critic André Bazin's "Science Film: Accidental Beauty," a review of the 1947 International Association of Science Film festival, organized by Painlevé.

Copublished with Brico Press.