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Titel och upphov Self image : technology, representation, and the contemporary subject
Utgivning, distribution etc. Routledge, New York : 2006
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
Elektronisk adress och åtkomst (URI) Table of contents only http://www.loc.gov/catdir/toc/ecip0611/2006009663.html Publisher description http://www.loc.gov/catdir/enhancements/fy0654/2006009663-d.html
ISBN 978-0-415-34522-4 (pbk.) 0-415-34521-9 (hardback : alk. paper) 0-415-34522-7 (pbk. : alk. paper)
Antal i kö:
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*008061215s2006 xxu|||| |00| 0 eng c
*010 $a2006009663
*020 $a978-0-415-34522-4 (pbk.)
*020 $a0-415-34521-9 (hardback : alk. paper)
*020 $a0-415-34522-7 (pbk. : alk. paper)
*035 $a(SE-LIBR)10295811
*035 $a(Ko)48768
*040 $aDLC$cDLC$dDLC$dMah
*042 $apcc
*05000$aNX650.S44$bJ55 2006
*08200$a701$222
*084 $aIaa$2kssb/8
*084 $aIa:do$2kssb/8
*1001 $aJones, Amelia
*24510$aSelf image :$btechnology, representation, and the contemporary subject /$cAmelia Jones
*260 $aNew York :$bRoutledge,$c2006
*300 $a258 s.$bill.
*504 $aIncludes bibliographical references and index.
*650 0$aSelf-perception in art.
*650 0$aSubjectivity in art.
*650 0$aTechnology and the arts.
*650 7$aKonst och teknik$2sao$0https://id.kb.se/term/sao/Konst%20och%20teknik
*650 7$aSjälvuppfattning i konsten$2sao
*650 7$aSjälvpsykologi$2sao
*650 0$aArts, Modern.
*650 0$aAesthetics, Modern.
*650 0$aArt and technology
*852 $5Ko$bKo$cKONST - Iaa$lJON
*85642$3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0611/2006009663.html
*85642$3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0654/2006009663-d.html
*950 $aTeknik och konst$uKonst och teknik
*950 $aMaskiner i konsten$wh$uKonst och teknik
*950 $aKonst och vetenskap$uKonst och teknik
^
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Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this important and original book explores how technology has affected artists' abilities and forms to express themselves.
From analogue photography to more recent artistic practices including digital imaging, performance robotics and video installations, Self/Image is one of the first full length studies to investigate the complex relations among these diverse artistic practices.
This will make an excellent companion to studies of contemporary art history, and media and cultural studies in the post-1960 period.
List of illustrations p. vii Acknowledgments p. xi Prologue p. xiii The body and/in representation p. 1 Break: Hoc est Corpus Meum redux p. 29 "Beneath this mask another mask" (analogue and digital photography) p. 35 Break: "No Movies"...(No) Bodies, (No) Cities p. 80 Post(urban) self image (the city) p. 87 Break: "Your greatest creation is the life you lead" p. 128 Cinematic self imaging and the televisual body (cinema, video, digital video) p. 134 Break: "Happiness is over-rated" p. 163 The body is not obsolete (robotics) p. 168 Break: "Desire and action, digital era" p. 202 The televisual architecture of the dream body (video and digital video installation) p. 207 Epilogue: Bob Flanagan's corpse and the limits of representation p. 243 Index p. 251