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Visual cultures as opportunity
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  • KONST - Iaa
Main Entry - Personal Name
Title Statement
  • Visual cultures as opportunity
Publication, Distribution, etc. (Imprint)
  • Sternberg Press, Berlin : cop. 2016
  • 2016
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • 93 pages : illustrations ; 20 cm.
Series Statement
Series Added Entry - Uniform Title
Bibliography, etc. Note
  • Includes bibliographical references.
Subject - Topical Term
  • 3-95679-100-2
  • 978-3-95679-100-0
  • 0 (0)
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*1001 $aMörtenböck, Peter,$d1966-
*24510$aVisual cultures as opportunity /$cPeter Mörtenböck, Helge Mooshammer
*260  $aBerlin :$bSternberg Press,$ccop. 2016
*300  $a93 pages :$billustrations ;$c20 cm.
*4901 $aVisual cultures as
*504  $aIncludes bibliographical references.
*599  $aImported from: clio-db.cc.columbia.edu:7090/voyager (Do not remove)
*650 7$aKonst och samhälle$2sao
*650 7$aKonst$xekonomiska aspekter$2sao
*650 7$aGlobalisering$2sao$0https://id.kb.se/term/sao/Globalisering
*650 7$aÖffentlicher Raum.$2gnd
*650 7$aMarktplatz.$2gnd
*650 7$aProtestbewegung.$2gnd
*650 7$aSchattenwirtschaft.$2gnd
*650 7$aSoziales Netzwerk.$2gnd
*650 0$aArts and society.
*650 0$aArts and globalization.
*650 0$aCulture and globalization.
*650 0$aEconomic development$xSocial aspects.
*650 0$aGlobalization$xEconomic aspects.
*650 0$aGlobalization$xMoral and ethical aspects.
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*650 7$aArts and society.$2fast
*650 7$aCulture and globalization.$2fast
*650 7$aEconomic development$xSocial aspects.$2fast
*650 7$aGlobalization$xEconomic aspects.$2fast
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*650 0$aGlobalization
*650 0$aArt and society
*7001 $aMooshammer, Helge$4aut
*830 0$aVisual cultures as...
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*950  $wh$aLitteratur och globalisering$uGlobalisering
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*950  $aKonst och politik$wh$uKonst och samhälle
*950  $aKonstpolitik$uKonst och samhälle
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Assemblies, gathering places, and agora-like situations have become popular sites for contemporary art. At the heart of these arenas is the search for new ways to counter the crisis-ridden experience of homo economicus --the pervasive and alienating marketization of all aspects of our lives. A great deal of hope is being placed on the potential of social formations enabled by new technologies of connectivity and exchange. Artists and cultural producers are at the forefront of testing the viability of transgressive actions such as coworking, crowdfunding, and open-source provisions. At the same time, it is apparent that global capitalism is expanding into multipolar constellations of top-down and bottom-up economic governance.

In this volume, the fourth in the series Visual Cultures as..., Helge Mooshammer and Peter M rtenb ck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's "crowd economy."

Copublished with Goldsmiths, University of London

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