Hylla
Titel och upphov Colloquium : Sound Art and Music
Varianttitel
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 216 pages : illustrations ; 22 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references.
Term
ISBN 978-1-78279-895-8 1-78279-895-1
Antal i kö:
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*504 $aIncludes bibliographical references.
*650 0$aMusic$xPhilosophy and aesthetics.
*650 0$aSound in art .
*650 0$aSound.
*650 0$aDigital media.
*650 0$aElectronic music.
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*650 7$aElectronic music.$2fast
*650 7$aMusic$xPhilosophy and aesthetics.$2fast
*650 7$aSound.$2fast
*650 7$aSound in art .$2fast
*650 7$aLjud i konsten$2sao$0https://id.kb.se/term/sao/Ljud%20i%20konsten
*650 0$aSound in art
*7001 $aGardner, Thomas$4edt
*7001 $aVoegelin, Salomé$4edt
*852 $5Ko$bKo$cMUSIK & LJUDKONST -$hIji$lCOL
*950 $aLjudkonst$uLjud i konsten
^
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In 2012, Thomas Gardner and Salom Voegelin hosted a colloquium, entitled "Music - Sound Art: Historical Continuum and Mimetic Fissures", at the London College of Communication, University of the Arts London. This colloquium dealt with the current fervent debate concerning the relationship between sound art and music. This book proposes the opening of the colloquium to a wider readership through the publication of a decisive range of the material that defined the event.
Acknowledgements p. viii Preface p. 1 Tradition, Codification, and Materiality p. 5 Provocations p. 6 First Provocation p. 8 Second Provocation p. 13 Transcript of First Colloquium Discussion p. 19 Responses p. 29 First Response p. 31 Second Response p. 56 Commodification, Rhythms, and Experience p. 69 Provocations p. 70 First Provocation p. 71 Second Provocation p. 78 Transcript of Second Colloquium Discussion p. 83 Responses p. 98 First Response p. 100 Second Response p. 109 Participation, Listening, and Place p. 121 Provocations p. 122 First Provocation p. 124 Second Provocation p. 135 Transcript of Third Colloquium Discussion p. 144 Responses p. 170 First Response p. 171 Second Response p. 179 Postscript p. 203 Biographies p. 213