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Baroque new worlds : representation, transculturation, counterconquest
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  • Baroque new worlds : representation, transculturation, counterconquest
Utgivning, distribution etc.
  • Durham Duke University Press 2009 ©2010
Utgivningsår
  • 2009
  • Språk:
  • .
DDC klassifikationskod (Dewey Decimal Classification)
Fysisk beskrivning
  • 1 online resource (690 pages)
Anmärkning: Innehåll
  • Contents -- Illustrations -- Acknowledgments -- Lois Parkinson Zamora and Monika Kaup, "Baroque, New World Baroque, Neobaroque: Categories and Concepts" -- Part One: Representation: Foundational Essays on Baroque Aethetics and Ideology -- The European Baroque -- Editors' Note to Chapter One -- 1. Friedrich Nietzsche, "On the Baroque" (1878) -- Editors' Note to Chapter Two -- 2. Heinrich Wölfflin, Excerpt from the Introduction to "Principles of Art History: The Problem of the Development of Style in Later Art" (1915) -- Editors' Note to Chapter Three -- 3. Walter Benjamin, Excerpts from "The Origin of German Tragic Drama" (1928) -- Editors' Note to Chapter Four -- 4. Eugenio d'Ors, Excerpts from "The Debate on the Baroque in Pontigny" (1935) -- Editors' Note to Chapter Five -- 5. René Wellek, Excerpts from "The Concept of Baroque in Literary Scholarship" (1945, rev. 1962) -- Editors' Note to Chapter Six -- 6. Mario Praz, "Baroque in England" (1960) -- Editors' Note to Chapter Seven -- 7. Christine Buci-Glucksmann, Chapter 2 from "La folie du voir", "The Work of the Gaze" (1986) -- The New World Baroque and the NeoBaroque -- Editors' Note to Chapter Eight -- 8. Alfonso Reyes, Excerpt from "Savoring Góngora" (1928) -- Editors' Note to Chapter Nine -- 9. Ángel Guido, Chapter 1 from "Redescubrimienta de América en el arte, 'America's Relation to Europe in the Arts'" (1936) -- Editors' Note to Chapter Ten -- 10. Pedro Henríquez Ureña, "The Baroque in America" (1940) -- Editors' Note to Chapter Eleven -- 11. José Lezama Lima, Chapter 2 from "La expresión americana", 'Baroque Curiosity' (1957) -- Editors' Note to Chapter Twelve and Thirteen -- 12. Alejo Carpentier, "The City of Columns" (1964) -- 13. Alejo Carpentier, Excerpt from "Questions Concerning the Contemporary Latin American Novel" (1964) -- Editors' Note to Chapter Fourteen and Fifteen
  • 14. Severo Sarduy, "The Baroque and the Neobaroque" (1972) -- 15. Severo Sarduy, Chapter 3 from "Barroco", "Baroque Cosmology: Kepler" (1974) -- Editors' Note to Chapter Sixteen -- 16. Haroldo de Campos, "The Rule of Anthropophagy: Europe under the Sign of Devoration" (1981) -- Part Two: Transculturation: Colonial Practice -- 17. Jorge Ruedas de la Serna, "Góngora in Spanish American Poetry, Góngora in Luso-Brazilian Poetry: Critical Parallels" -- 18. José Pascual Buxó, "Sor Juana and Luis de Góngora: The Poetics of 'Imitatio'" (2006) -- 19. Timothy J. Reiss, "American Baroque Histories and Geographies from Sigüenza y Góngora and Balbuena to Balboa, Carpentier, and Lezama" -- 20. William Childers, "Baroque Quixote: New World Writing and the Collapse of the Heroic Ideal" -- 21. Dorothy Z. Baker, "Baroque Self-Fashioning in Seventeenth-Century New France" -- 22. Leo Cabranes-Grant, "The Fold of Difference: Performing Baroque and Neobaroque Mexican Identities" -- Part Three: Counterconquest: Postcolonial Positions -- 23. Gonzalo Celorio, Chapter 2 from "Ensayo de contraconquista", "From the Baroque to the Neobaroque" (2001) -- 24. Irlemar Chiampi, Chapter 1 from "Barroco y modernidad", "The Baroque at the Twilight of Modernity" (2000) -- Editors' Note to Chapter -- 25. Carlos Fuentes, "The Novel as Tragedy: William Faulkner" (1970) -- 26. Roberto González Echevarría, "Góngora's and Lezama's Appetites" (1978) -- 27. Maarten van Delden, "Europe and Latin America in José Lezama Lima" -- 28. Christopher Winks, "Seeking a Cuba of the Self: Baroque Dialogues between José Lezama Lima and Wallace Stevens" -- Editors' Note to Chapter Twenty-Nine -- 29. Édouard Glissant, "Concerning a Baroque Abroad in the World" (1990) -- Bibliography -- Notes on Contributors -- Index
Anmärkning: Innehållsbeskrivning, sammanfattning
  • Traces the changing nature of Baroque representation across European and Latin American cultures, from an imperial aesthetic encoding Catholic ideologies, into a means of resistance to colonialism, into a mode of postcolonial self-definition.
Term
Annat medium
  • Print version: Nietzsche, Friedrich Baroque New Worlds : Representation, Transculturation, Counterconquest Durham : Duke University Press,c2009 ISBN 9780822346302
Elektronisk adress och åtkomst (URI)
  • http://ebookcentral.proquest.com/lib/konstfack/detail.action?docID=1171705 Download / read online
ISBN
  • 9780822392521
Antal i kö:
  • 0 (0)
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*24510$aBaroque new worlds :$brepresentation, transculturation, counterconquest /$cLois  Parkinson Zamora, Monika Kaup, editors
*264 1$aDurham$bDuke University Press$c2009
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*300  $a1 online resource (690 pages)
*336  $atext$btxt$2rdacontent
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*5050 $aContents -- Illustrations -- Acknowledgments -- Lois Parkinson Zamora and Monika Kaup, "Baroque, New World Baroque, Neobaroque: Categories and Concepts" -- Part One: Representation: Foundational Essays on Baroque Aethetics and Ideology -- The European Baroque -- Editors' Note to Chapter One -- 1. Friedrich Nietzsche, "On the Baroque" (1878) -- Editors' Note to Chapter Two -- 2. Heinrich Wölfflin, Excerpt from the Introduction to "Principles of Art History: The Problem of the Development of Style in Later Art" (1915) -- Editors' Note to Chapter Three -- 3. Walter Benjamin, Excerpts from "The Origin of German Tragic Drama" (1928) -- Editors' Note to Chapter Four -- 4. Eugenio d'Ors, Excerpts from "The Debate on the Baroque in Pontigny" (1935) -- Editors' Note to Chapter Five -- 5. René Wellek, Excerpts from "The Concept of Baroque in Literary Scholarship" (1945, rev. 1962) -- Editors' Note to Chapter Six -- 6. Mario Praz, "Baroque in England" (1960) -- Editors' Note to Chapter Seven -- 7. Christine Buci-Glucksmann, Chapter 2 from "La folie du voir", "The Work of the Gaze" (1986) -- The New World Baroque and the NeoBaroque -- Editors' Note to Chapter Eight -- 8. Alfonso Reyes, Excerpt from "Savoring Góngora" (1928) -- Editors' Note to Chapter Nine -- 9. Ángel Guido, Chapter 1 from "Redescubrimienta de América en el arte, 'America's Relation to Europe in the Arts'" (1936) -- Editors' Note to Chapter Ten -- 10. Pedro Henríquez Ureña, "The Baroque in America" (1940) -- Editors' Note to Chapter Eleven -- 11. José Lezama Lima, Chapter 2 from "La expresión americana", 'Baroque Curiosity' (1957) -- Editors' Note to Chapter Twelve and Thirteen -- 12. Alejo Carpentier, "The City of Columns" (1964) -- 13. Alejo Carpentier, Excerpt from "Questions Concerning the Contemporary Latin American Novel" (1964) -- Editors' Note to Chapter Fourteen and Fifteen
*5058 $a14. Severo Sarduy, "The Baroque and the Neobaroque" (1972) -- 15. Severo Sarduy, Chapter 3 from "Barroco", "Baroque Cosmology: Kepler" (1974) -- Editors' Note to Chapter Sixteen -- 16. Haroldo de Campos, "The Rule of Anthropophagy: Europe under the Sign of Devoration" (1981) -- Part Two: Transculturation: Colonial Practice -- 17. Jorge Ruedas de la Serna, "Góngora in Spanish American Poetry, Góngora in Luso-Brazilian Poetry: Critical Parallels" -- 18. José Pascual Buxó, "Sor Juana and Luis de Góngora: The Poetics of 'Imitatio'" (2006) -- 19. Timothy J. Reiss, "American Baroque Histories and Geographies from Sigüenza y Góngora and Balbuena to Balboa, Carpentier, and Lezama" -- 20. William Childers, "Baroque Quixote: New World Writing and the Collapse of the Heroic Ideal" -- 21. Dorothy Z. Baker, "Baroque Self-Fashioning in Seventeenth-Century New France" -- 22. Leo Cabranes-Grant, "The Fold of Difference: Performing Baroque and Neobaroque Mexican Identities" -- Part Three: Counterconquest: Postcolonial Positions -- 23. Gonzalo Celorio, Chapter 2 from "Ensayo de contraconquista", "From the Baroque to the Neobaroque" (2001) -- 24. Irlemar Chiampi, Chapter 1 from "Barroco y modernidad", "The Baroque at the Twilight of Modernity" (2000) -- Editors' Note to Chapter -- 25. Carlos Fuentes, "The Novel as Tragedy: William Faulkner" (1970) -- 26. Roberto González Echevarría, "Góngora's and Lezama's Appetites" (1978) -- 27. Maarten van Delden, "Europe and Latin America in José Lezama Lima" -- 28. Christopher Winks, "Seeking a Cuba of the Self: Baroque Dialogues between José Lezama Lima and Wallace Stevens" -- Editors' Note to Chapter Twenty-Nine -- 29. Édouard Glissant, "Concerning a Baroque Abroad in the World" (1990) -- Bibliography -- Notes on Contributors -- Index
*520  $aTraces the changing nature of Baroque representation across European and Latin American cultures, from an imperial aesthetic encoding Catholic ideologies, into a means of resistance to colonialism, into a mode of postcolonial self-definition.
*588  $aDescription based on publisher supplied metadata and other sources.
*588  $aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
*650 0$aArt, Latin American.
*650 0$aArts, Baroque -- Latin America.
*650 0$aCultural fusion and the arts.
*650 0$aLatin American literature.
*655 0$aElectronic books.
*7001 $aNietzsche, Friedrich.
*7001 $aBenjamin, Walter,$d1892-1940
*7001 $ad'Ors, Eugenio.
*7001 $aZamora, Lois Parkinson.
*7001 $aKaup, Monika$4edt
*77608$iPrint version:$aNietzsche, Friedrich$tBaroque New Worlds : Representation, Transculturation, Counterconquest$dDurham : Duke University Press,c2009$z9780822346302
*852  $lBAR$hTillgänglig inom Konstfack
*85640$uhttp://ebookcentral.proquest.com/lib/konstfack/detail.action?docID=1171705$zDownload / read online
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Traces the changing nature of Baroque representation across European and Latin American cultures, from an imperial aesthetic encoding Catholic ideologies, into a means of resistance to colonialism, into a mode of postcolonial self-definition.

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