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Ahasuerus at the easel : Jewish art and Jewish artists in Central and Eastern European Modernism at the turn of the last century
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  • KONST - Ib-oa
Main Entry - Personal Name
Title Statement
  • Ahasuerus at the easel : Jewish art and Jewish artists in Central and Eastern European Modernism at the turn of the last century
Uniform Title
  • Ahasverus vid staffliet. Engelska
Publication, Distribution, etc. (Imprint)
  • PL Academic Research, Frankfurt am Main ; New York : 2014
  • 2014
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 542 pages : illustrations ; 22 cm
General Note
  • Titelbladets baksida: "First version published in Swedish: Ahasverus vid staffliet : judisk konst och judiska konstnärer i den central- och östeuropeiska modernismen"
Bibliography, etc. Note
  • Includes bibliographical references (pages 491-509).
Formatted Contents Note
  • Attaching -- Jewish art -- The Russian context -- Poland-the partitioned country -- In Bohemia and Moravia -- Jews and Magyars -- Paris-point of impact -- Art, assimilation, and Jewish modernity.
Additional Physical Form available Note
  • Also issued online.
Subject - Chronological Term
  • Sekelskiftet 1900
  • 1910-talet
  • 1920-talet
Subject - Topical Term
Subject - Geographic Name
ISBN
  • 978-3-631-65163-6 (hardback)
Waiting
  • 0 (0)
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*500  $aTitelbladets baksida: "First version published in Swedish: Ahasverus vid staffliet : judisk konst och judiska konstnärer i den central- och östeuropeiska modernismen"
*504  $aIncludes bibliographical references (pages 491-509).
*5050 $aAttaching -- Jewish art -- The Russian context -- Poland-the partitioned country -- In Bohemia and Moravia -- Jews and Magyars -- Paris-point of impact -- Art, assimilation, and Jewish modernity.
*530  $aAlso issued online.
*599  $aImported from: z3950cat.bl.uk:9909/BNB03U (Do not remove)
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^
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This survey asks a seemingly simple question: Is there an affinity between the emergence of modern art and various Avant-Garde movements such as Russian Suprematism and Polish or Hungarian Constructivism around about the turn of the last century and the process of Jewish assimilation in the Habsburg empire and Russian tsardom respectively? What about the possible connection between «Hebraism», Jewish Messianism, Talmudic philosophy, and Kabbalistic speculations and the most radical, Utopian Avant-Garde movements of the region? Was Russian Cubo-Futurism, Suprematism, Productivism, Polish and Hungarian Constructivism actually fostered by ideas and practices articulated in Eastern Jewry? And what was the impact of Anti-Semitism on how the artists related to stylistic purity and their own cultural identity in the region already prior to the emergence of Avant-Gardism? And how did the supposed biblical ban on «graven images» influence the approach of the Jewish artists?

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