Hylla KONST - Ibz Wilke, Hannah
Personnamn
Titel och upphov
Utgivning, distribution etc. Prestel, Munich ; London : 2010
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 168 p. : ill. (chiefly col.) ; 31 cm.
Personnamn
Term
ISBN 978-3-7913-3972-6 (hbk.) 3-7913-3972-9 (hbk.)
Antal i kö:
*00001048nam a22003257a 4500
*00141123
*00520160927030832.6
*008100222s2010 gw a 000 0 eng c
*010 $a2009943147
*020 $a978-3-7913-3972-6 (hbk.)
*020 $a3-7913-3972-9 (hbk.)
*035 $a(SE-LIBR)11930487
*035 $a(Ko)48411
*040 $aUKM$cUKM$dBTCTA$dYDXCP$dERASA$dOHX$dGWDNB$dBWX$dAQ#$dNPL$dCDX$dIOG$dQa
*08204$a709.2$222/swe
*084 $aIbz$2kssb/8 (machine generated)
*1001 $aPrincenthal, Nancy
*24510$aHannah Wilke /$cNancy Princenthal
*260 $aMunich ;$aLondon :$bPrestel,$c2010
*263 $a201005
*300 $a168 p. :$bill. (chiefly col.) ;$c31 cm.
*60010$aWilke, Hannah ,$y1940-1993
*650 7$aFeminism och konst$2sao
*650 0$aFeminism and art
*7001 $aWilke, Hannah ,$d1940-$4qrt
*852 $5Ko$bKo$cKONST -$hIbz Wilke, Hannah $lPRI
*950 $aKonst och feminism$uFeminism och konst
*950 $aKonst$wg$uFeminism och konst
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
The first monograph on an artist whose provocative and ultimately deeply moving work played an essential part in women's transformation of the art world. Hannah Wilke's artwork, like her life, frames a heroic story about formal invention and social activism, personal loyalties and individual freedom, and, above all, breathtaking risk. A defining presence in the emerging community of women artists in the 1960s and 70s, Wilke developed a unique and controversial visual language in response to her own and women s experience. An unapologetic individualist, she celebrated her relationships with men as well as women and frankly explored the pleasures of sexuality. Using a wide range of non-traditional mediums, including latex and chewing gum as well as photography and film, she irreverently paid tribute to predecessors from Marcel Duchamp to David Smith. Focusing on the body as instrument and object of visual expression, Wilke made her art an unremitting self-exploration without false modesty (when her naked body was an uncomplicated delight to behold) or shame (when it was mercilessly blighted by cancer). Wilke's art is inseparable from Wilke the person bold, sometimes outrageous, and, ultimately, heartbreakingly courageous. AUTHOR: Nancy Princenthal, a New York-based art critic and lecturer, and Senior Editor at Art in America, has written on contemporary art for 25 years. She is the author of numerous books on art and a co-author of After the Revolution: Women Who Transformed Contemporary Art. ILLUSTRATIONS 150 photos *