Hylla
Personnamn
Titel och upphov Visual methodologies : an introduction to researching with visual materials
Utgivning, distribution etc.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga
Fysisk beskrivning xxiii, 432 pages : illustrations, maps ; 25 cm
Anmärkning: Allmän
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 379-412) and indexes
Term
ISBN 978-1-4739-4890-7 (pbk.) 978-1-4739-4889-1 (hbk.)
Antal i kö:
*00001104nam a2200313 i 4500
*00141068
*00520160902030834.2
*008160209s2016 enkab 001 0 eng d
*020 $a978-1-4739-4890-7 (pbk.)
*020 $a978-1-4739-4889-1 (hbk.)
*035 $a(SE-LIBR)19375819
*035 $a(Ko)48349
*040 $aStDuBDS$beng$cStDuBDS$erda$dUK-RwCLS$dHdf
*050 4$aP93.5$b.R67 2016
*08204$a302.222$222
*084 $aBra$2kssb/8 (machine generated)
*1001 $aRose, Gillian,$d1962-
*24510$aVisual methodologies :$ban introduction to researching with visual materials /$cGillian Rose
*250 $a4th edition
*260 $aLondon :$bSage,$c2016
*300 $axxiii, 432 pages :$billustrations, maps ;$c25 cm
*500 $aPrevious edition: 2012
*504 $aIncludes bibliographical references (pages 379-412) and indexes
*599 $aImported from: opac.ntu.ac.uk:9991/NTU01 (Do not remove)
*650 0$aVisual communication
*650 0$aVisual literacy
*650 7$aVisuell kommunikation$xmetodik$2sao
*852 $5Ko$bKo$hKURS$iEj fjärrlån$lROS
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Now in its Fourth Edition, Visual Methodologies: An Introduction to Researching with Visual Materials is a bestselling critical guide to the study and analysis of visual culture. Existing chapters have been fully updated to offer a rigorous examination and demonstration of an individual methodology in a clear and structured style. Reflecting changes in the way society consumes and creates its visual content, new features include: Brand new chapters dealing with social media platforms, the development of digital methods and the modern circulation and audiencing of research images More ′Focus′ features covering interactive documentaries, digital story-telling and participant mapping A Companion Website featuring links to useful further resources relating to each chapter.
A now classic text, Visual Methodologies appeals to undergraduates, graduates, researchers and academics across the social sciences and humanities who are looking to get to grips with the complex debates and ideas in visual analysis and interpretation.
Figures and Tables p. xiv About the Author p. xviii Acknowledgements p. xix Preface: Introducing the Fourth Edition p. xx An Introduction to Visual Methodologies p. xxi About the Companion Website p. xxiv Researching with Visual Materials: A Brief Survey p. 1 An Introductory Survey of 'The Visual' p. 1 Understanding the Social Effects of Visual Materials p. 16 Three Criteria for a Critical Visual Methodology p. 22 Summary p. 23 Further Reading p. 23 Towards a critical visual methodology p. 24 Introducing the Four Sites of a Critical Visual Methodology: Production, the Image Itself, its Circulation and its Audiencing p. 24 The Site of Production p. 27 The Site of the Image p. 32 The Site of Circulation p. 34 The Site of Audiencing p. 38 Summary p. 46 Further Reading p. 47 How to use this book p. 48 Reading this Book Selectively on the Basis of Sites and Modalities p. 49 Reading this Book Selectively on the Basis of Having Found Some Images p. 50 Why You Should Also Read Books Other Than this One p. 52 How Each Chapter Works p. 52 A Quick Word on Finding Your Images p. 53 Another Quick Word, on Referencing and Reproducing Your Images p. 54 'the Good Eye': Looking at Pictures Using Compositional Interpretation p. 56 Compositional Interpretation: An Introduction p. 56 Compositional Interpretation: Technologies and the Production of the Image p. 61 Compositional Interpretation: The Corapositionality of the Image Itself p. 62 Compositional Interpretation: An Assessment p. 83 Summary: Compositional Interpretation p. 84 Further Reading p. 84 Companion Website p. 84 Content Analysis and Cultural Analytics: Finding Patterns in What You See p. 85 Content Analysis and Cultural Analytics: An Introduction p. 85 Four Steps Co Content Analysis p. 88 Doing Cultural Analytics p. 99 Content Analysis and Cultural Analytics: An Assessment p. 102 Summary: Content Analysis p. 104 Further Reading p. 104 Companion Website p. 105 Semiology: Laying Bare the Prejudices beneath the Smooth Surface of the Visible p. 106 Semiology: An Introduction p. 106 Choosing Images for a Semiological Study p. 110 The Sign and its Meaning-Making Processes in Mainstream Semiology p. 112 Making Meaning Socially: Social Semiotics p. 136 Semiology: An Assessment p. 142 Summary: Semiology p. 145 Further Reading p. 146 Companion Website p. 146 Psychoanalysis: Visual Culture, Visual Pleasure, Visual Disruption p. 147 Psychoanalysis and Visuality: An Introduction p. 147 A Longer Introduction to Psychoanalysis and Visuality: Subjectivity, Sexuality and the Unconscious p. 151 How is Sexual Difference Visual 1: Watching Movies with Laura Mulvey p. 155 How is Sexual Difference Visual 2: From the Fetish to Masquerade p. 166 From the Voyeuristic Gaze to the Lacanian Gaze: Other Ways of Seeing p. 169 From the Disciplines of Subjection to the Possibilities of Fantasy p. 174 Queer Looks p. 178 Reflexivity p. 180 Psychoanalysis and Visuality: An Assessment p. 181 Summary: Psychoanalysis and Visuality p. 184 Further Reading p. 184 Companion Website p. 185 Discourse Analysis I: Text, Intertextuality and Context p. 186 Discourse and Visual Culture: An Introduction p. 186 Distinguishing Between Discourse Analysis I and Discourse Analysis II p. 189 Finding Your Sources for a Discourse Analysis I p. 194 Discourse Analysis 1: The Production and Rhetorical Organisation of Discourse p. 204 Discourse Analysis I and Reflexivity p. 215 Discourse Analysis I: An Assessment p. 217 Summary: Discourse Analysis I p. 218 Further Reading p. 219 Companion Website p. 219 Discourse Analysis II: Institutions and Ways of Seeing p. 220 Another Introduction to Discourse and Visual Culture p. 220 Finding Your Sources for Discourse Analysis II p. 227 The Apparatus of the Gallery and the Museum p. 229 The Technologies of the Gallery and the Museum p. 233 The Visitor p. 244 Discourse Analysis II: An Assessment p. 250 Summary: Discourse Analysis II p. 251 Further Reading p. 251 Companion Website p. 252 To Audience Studies and Beyond: Ethnographies of Audiences, Fans and Users p. 253 Audience Studies: An Introduction p. 253 Audiences, Fans and Users p. 257 Audience Studies Researching Audiences and Fans p. 265 Ethnographies of Visual Objects p. 273 Ethnographic Studies of Audiencing: An Assessment p. 283 Summary: Audience Studies p. 286 Further Reading p. 287 Companion Website p. 287 Digital Methods: Digital Images, Digitally Analysed p. 288 Digital Methods: An Introduction p. 288 How to Access Digital Objects for Digital Methods p. 293 Some of the Questions that Digital Methods Examining Digital Images Might Usefully Ask p. 297 What are the Ethical Issues Involved in Using Digital Methods? p. 301 Digital Methods: An Assessment p. 303 Summary: Digital Methods p. 306 Companion Website p. 306 Making Images as Research Data: Photo-Documentation and Photo-Elicitation p. 307 Making Images as Research Data: An Introduction p. 307 Photo-documentation p. 310 Photo-elicitation p. 314 Making Photographs as Research Data: An Assessment p. 327 Summary: Making images as Research Data p. 328 Further Reading p. 329 Companion Website p. 329 Using Images to Disseminate Research Findings: Circulation and Audiencing p. 330 Using Images to Disseminate Research; An Introduction p. 330 Data Visualisation p. 333 Photo-essays p. 340 Films and Videos p. 345 Multimedia Websites p. 347 Using Images to Disseminate Research: An Assessment p. 352 Summary: Using Images to Disseminate Research p. 356 Further Reading p. 356 Companion Website p. 356 Research Ethics and Visual Materials p. 357 Research Ethics and Visual Materials: An Introduction p. 357 Anonymity and Confidentiality p. 360 Consent p. 362 The Formal Framework: Regulations and Committees p. 366 Copyright p. 367 The Researcher's Own Moral Framework p. 369 Conclusions: Ethics, Visual Research and Contemporary Visual Culture p. 369 Summary: Research Ethics and Visual Materials p. 371 Further Reading p. 372 Companion Website p. 372 Visual Methodologies: A Review p. 373 Introduction p. 373 Sites, Modalities and Methods p. 373 Mixing Methods p. 377 Useful Reading on Various Visual Materials p. 379 Fine Art p. 379 Photography p. 379 Film p. 380 Advertising p. 380 Television p. 380 Mass Media p. 380 Digital Media p. 381 References p. 382 Key Terms p. 413 Name Index p. 416 Subject Index p. 420