Konstfacks bibliotek

*00001937nam a22004817a 4500
*00141046
*00520160822110748.4
*008160718s2016    xxua    ob    001 0 eng d
*020  $z1611689457 (pbk. : alk. paper)
*020  $a978-1-61168-946-4 (electronic bk.)
*020  $a1-61168-946-5 (electronic bk.)
*020  $z9781611689440 (cloth : alk. paper)
*020  $z1611689449 (cloth : alk. paper)
*020  $z9781611689457 (pbk. : alk. paper)
*035  $a(SE-LIBR)19593320
*035  $a(Ko)48325
*040  $aNhCcYBP$cNhCcYBP
*043  $an-us---
*050 4$aN6512.5.V53$bK35 2016
*08204$a777.0973/0904$223
*084  $aIbhe$2kssb/8
*1001 $aKaizen, William
*24510$aAgainst immediacy :$bvideo art and media populism /$cWilliam Kaizen
*260  $aHanover, New Hampshire :$bDartmouth College Press,$c2016
*264 1$aHanover, New Hampshire :$bDartmouth College Press,$c[2016]
*300  $a232 s. :$bill.
*504  $aIncludes bibliographical references and index.
*5050 $aPrelude: open circuits -- Participation television -- Talkback -- Video ecologies -- Coda: the apotheosis of video art.
*599  $aImported from: library.uark.edu:210/INNOPAC (Do not remove)
*650 0$aVideo art$zUnited States$y20th century.
*650 0$aTelevision and art$zUnited States$xHistory$y20th century.
*650 7$aVideokonst$2sao
*650 0$aVideo art
*655 0$aElectronic books.
*77608$iOnline version:$aKaizen, William, author.$tAgainst immediacy$dHanover, New Hampshire : Dartmouth College Press, [2016]$z9781611689464$wIMP(DLC) 2016018348.
*830 0$aebrary electronic books dda.
*841  $5Ko$ax  a$b160808||0000|||||001||||||000000$e1
*852  $5Ko$bKo$cKONST -$hIbhe$lKAI
*950  $aModern konst$wg$uVideokonst
*950  $aVideo$wg$uVideokonst
*950  $aDigital konst$uVideokonst
*950  $aVideokonstnärer$uVideokonst
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