Location
Main Entry - Personal Name
Title Statement
Uniform Title Deleuze et l'art. Engelska
Publication, Distribution, etc. (Imprint) New York : Bloomsbury, 2018
Dewey Decimal Classification Number
SAB Classification Code
Edition Statement
Physical Description
Bibliography, etc. Note Includes bibliographical references and index.
Formatted Contents Note Cartographies of art: from literature to the image -- Critical and clinical -- The affect of force -- The body without organs -- The critique of interpretation and the machine -- Minor art -- Rhizomes and lines -- The violence of sensation -- Art and immanence -- Conclusions.
Subject - Personal Name
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ISBN
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*00141000
*00520180226131315.0
*008180226s2018 xxu b 001 0 eng
*020 $a978-1-4742-6024-4
*035 $a(SE-LIBR)22463165
*040 $aKo
*0411 $aeng$hfre
*05000$aB2430.D454$bS2313 2013
*08200$a701/.17092$223
*084 $aIaa$2kssb/8 (machine generated)
*1001 $aSauvagnargues, Anne
*24010$aDeleuze et l'art.$lEngelska
*24510$aDeleuze and art /$cAnne Sauvagnargues ; translated by Samantha Bankston.
*250 $aPaperback ed.
*264 1$aNew York :$bBloomsbury,$c2018
*300 $avii, 228 pages ;$c24 cm.
*336 $atext$2rdacontent
*337 $aunmediated$2rdamedia
*338 $avolume$2rdacarrier
*504 $aIncludes bibliographical references and index.
*5050 $aCartographies of art: from literature to the image -- Critical and clinical -- The affect of force -- The body without organs -- The critique of interpretation and the machine -- Minor art -- Rhizomes and lines -- The violence of sensation -- Art and immanence -- Conclusions.
*60014$aDeleuze, Gilles, $d1925-1995
*648 7$a1900-talet$2sao
*650 7$aEstetik$2sao$0https://id.kb.se/term/sao/Estetik
*650 0$aAesthetics, Modern$y20th century.
*650 0$aArts$xPhilosophy.
*7001 $aBankston, Samantha,$etranslator.
*7001 $aSauvagnargues, Anne.$tDeleuze et l'art.$iTranslation of:
*841 $5Ko$ax a$b1802264u 8 1001uu 0901128$e4
*852 $5Ko$bKo$cKONST -$hIaa
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In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts first emerge and eventually disappear. This innovative methodology, which Sauvagnargues calls "periodization", provides a systematic historiography of Deleuze's philosophy that remains faithful to his affirmation of the principle of exteriority. By analyzing the external relations between Deleuze's self-proclaimed three philosophical periods, Sauvagnargues gives the reader an inside look into the conceptual and artistic landscape that surrounded Deleuze and the creation of his philosophy.