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Architecture + film II
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  • Architectural design. [Tidskrift]
Location
  • TIDSKRIFTER - Architectural design
Title Statement
  • Architecture + film II
Publication, Distribution, etc. (Imprint)
  • Wiley, Chichester : 2000
  • 2000
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 112 s. : ill.
Series Statement/Added entry--Title
  • 143
General Note
  • Published as part of: Architectural design ; vol. 70(2000):1
Subject - Topical Term
Added Entry - Uncontrolled Related/Analytical Title
  • Architecture and film II
  • Architecture and film
Subject - SAB Headings
  • Arkitektur
  • Film Teori Estetik
ISBN
  • 0-471-62975-8 (pbk) ;
Waiting
  • 0 (0)
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*24500$aArchitecture + film II /$cguest-edited by Bob Fear
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*300  $a112 s. :$bill.
*440  $aArchitectural design profile,$x99-0505112-0 ;$v143
*500  $aPublished as part of: Architectural design ; vol. 70(2000):1
*650 7$aArkitektur på film$2sfit
*650 7$aFilmen och arkitekturen$2sfit
*650 7$aScenografi$2sfit
*650 7$aArchitecture in motion pictures$2BNB
*650 7$aArchitecture$xThemes, motives$2BNB
*7001 $aFear, Bob$4oth
*7400 $aArchitecture and film II
*7400 $aArchitecture and film
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*976 2$aIc$bArkitektur
*976 2$aImaa$bFilm Teori Estetik
^
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"All you need to make a movie is a girl and a gun".

-Jean-Luc Godard

An integral part of today's culture, film has become a major frame of reference for architects, artists, writers and cultural theorists. Following up on the popularity of the 1994 issue of Architectural Design, 'Architecture and Film I', this title takes a multi-faceted look at the representation of architecture through the big screen. Examples are drawn from a wide range of cinematic periods and genres - early Noir, Soviet cinema, Jacques Tati, Mall Movies, Los Angeles disaster movies, cyborg and sci-fi, horror movies and James Bond. The association between architecture and film is explored from every angle, architecture is looked at as setting and scenery, and as subject. Film-makers give their account of making architectural documentaries; the evolution of cinema buildings from sideshow to arthouse is examined; the architect-turned-director Patrick Keiller is interviewed; and film inspired architectural projects are featured.

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