Location TIDSKRIFTER - Architectural design
Title Statement
Publication, Distribution, etc. (Imprint)
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
Series Statement/Added entry--Title
General Note Published as part of: Architectural design ; vol. 70(2000):1
Subject - Topical Term
Added Entry - Uncontrolled Related/Analytical Title Architecture and film II Architecture and film
Subject - SAB Headings Arkitektur Film Teori Estetik
ISBN
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*00140749
*00520160920112104.1
*008991013s2000 xxu 000 0 eng c
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*084 $aIc$2kssb/6
*24500$aArchitecture + film II /$cguest-edited by Bob Fear
*260 $aChichester :$bWiley,$c2000
*300 $a112 s. :$bill.
*440 $aArchitectural design profile,$x99-0505112-0 ;$v143
*500 $aPublished as part of: Architectural design ; vol. 70(2000):1
*650 7$aArkitektur på film$2sfit
*650 7$aFilmen och arkitekturen$2sfit
*650 7$aScenografi$2sfit
*650 7$aArchitecture in motion pictures $2BNB
*650 7$aArchitecture$xThemes, motives$2BNB
*7001 $aFear, Bob$4oth
*7400 $aArchitecture and film II
*7400 $aArchitecture and film
*7600 $tArchitectural design.$g2000$w47352
*852 $5Ko$bKo$hTIDSKRIFTER - Architectural design$lARC
*976 2$aIc$bArkitektur
*976 2$aImaa$bFilm Teori Estetik
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"All you need to make a movie is a girl and a gun". -Jean-Luc Godard An integral part of today's culture, film has become a major frame of reference for architects, artists, writers and cultural theorists. Following up on the popularity of the 1994 issue of Architectural Design, 'Architecture and Film I', this title takes a multi-faceted look at the representation of architecture through the big screen. Examples are drawn from a wide range of cinematic periods and genres - early Noir, Soviet cinema, Jacques Tati, Mall Movies, Los Angeles disaster movies, cyborg and sci-fi, horror movies and James Bond. The association between architecture and film is explored from every angle, architecture is looked at as setting and scenery, and as subject. Film-makers give their account of making architectural documentaries; the evolution of cinema buildings from sideshow to arthouse is examined; the architect-turned-director Patrick Keiller is interviewed; and film inspired architectural projects are featured.
Liquid Architecture: Eisenstein and Film Noir Vsevolod Pudovkin and the Theory of Montage Spaces of the Psyche in German Expressionist Film Realising the Spiritual City: Hans Poelzig and The Golem Modernism as Enemy: Film and the Portrayal of Modern Architecture Material Sounds: Jacques Tati and Modern Architecture Walls Have Feelings: Cult Films About Sex in 1960s London Evil Residence: The House and the Horror Film Mall Movies: Rescue Strategies and 'Bad' Architecture LA: Articulating the Cinematic Urban Experience in the City of Make-believe LA and the Architecture of Disaster Cyborg Architecture and Terry Gilliam's Brazil Fantastic Spatial Combinations in Film Digital Fiction: New Realism in Film Architecture Sideshow to Art House: The Development of the Modernist Cinema Cinematic Scarpa Building Films Patrick Keiller Interview Therapeutic Visions: James Bond, Stanley Kubrick, Captain Kirk and George Lucas Biographies Architectural Design. Peter Pran Jakob + MacFarlane Central Artery/Tunnel, Boston Practice Profile: Stephensonbell Book Review Site Lines