Konstfacks bibliotek

Interface
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  • Interface
Utgivning, distribution etc.
  • The MIT Press, Cambridge, Massachusetts : 2014
Utgivningsår
  • 2014
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • xi, 178 pages : illustrations ; 21 cm.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehåll
  • The subject of the interface -- The interface as form of relation -- Between faces and facing between -- The interface and the surface -- Toward a theory of the interface -- Janus and Jupiter -- Control and power -- The interface and the apparatus -- The interface and the game -- The interface and the machine -- Separation and augmentation -- Mimicry in the game and the interface -- The forming of the interface -- The interface as that which defines the fluid -- Turbulence and control -- The exacting of turbulence -- The demons on the threshold -- Theories of the vortex -- Information and entropy -- Governance and reciprocity -- The interface and teleology -- The turbine as superimposition of fluid and machine -- The vertiginous moment of interface -- The augmentation of the interface -- A genius of augmentation -- The tacit knowing of the interface -- Singularity -- Symbiosis -- System -- Positioning.
Term
ISBN
  • 978-0-262-52550-3 (pbk. : alk. paper)
  • 0-262-52550-X (pbk. : alk. paper)
Antal i kö:
  • 0 (0)
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*1001 $aHookway, Branden
*24510$aInterface /$cBranden Hookway
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*300  $axi, 178 pages :$billustrations ;$c21 cm.
*504  $aIncludes bibliographical references and index.
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*599  $aImported from: afton.lib.unc.edu:210/INNOPAC (Do not remove)
*650 0$aTechnology$xPhilosophy.
*650 0$aInterfaces (Physical sciences)
*650 0$aHuman-machine systems$xPhilosophy.
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A cultural theory of the interface as a relation that is both ubiquitous and elusive, drawing on disciplines from cultural theory to architecture. In this book, Branden Hookway considers the interface not as technology but as a form of relationship with technology. The interface, Hookway proposes, is at once ubiquitous and hidden from view. It is both the bottleneck through which our relationship to technology must pass and a productive encounter embedded within the use of technology. It is a site of contestation-between human and machine, between the material and the social, between the political and the technological-that both defines and elides differences.
A virtuoso in multiple disciplines, Hookway offers a theory of the interface that draws on cultural theory, political theory, philosophy, art, architecture, new media, and the history of science and technology. He argues that the theoretical mechanism of the interface offers a powerful approach to questions of the human relationship to technology. Hookway finds the origin of the term interface in nineteenth-century fluid dynamics and traces its migration to thermodynamics, information theory, and cybernetics. He discusses issues of subject formation, agency, power, and control, within contexts that include technology, politics, and the social role of games. He considers the technological augmentation of humans and the human-machine system, discussing notions of embodied intelligence.
Hookway views the figure of the subject as both receiver and active producer in processes of subjectification. The interface, he argues, stands in a relation both alien and intimate, vertiginous and orienting to those who cross its threshold.

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