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2nd hand reading
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  • ARTISTS' BOOKS
Main Entry - Personal Name
Title Statement
  • 2nd hand reading
Varying Form of Title
  • Second hand reading
  • Shorter Oxford English dictionary on historical principles
  • William Kentridge
Publication, Distribution, etc. (Imprint)
  • Fourthwall Books, Johannesburg : 2014
  • 2014
  • Språk: Engelska.
SAB Classification Code
Edition Statement
  • 2. ed.
Physical Description
  • [Ca 800] s. : ill. ; 28 cm
Summary, etc
  • South African artist William Kentridge draws on varied sources in his work, including philosophy, literature, early cinema, theatre and opera. This publication began life as a film constructed from a succession of drawings made in 2013 on the pages of old books; a second-hand reading in which books are translated into a filming of books, articulating the relationship between drawing, photography and film-making. It is both a narrative and an acknowledgement of the necessity of repetition, inconsistency and the illogical. Kentridge has made many flip books, but at 800 pages this is his most ambitious. He has also been making animated films for two decades.0.
Subject - Personal Name
Subject - Topical Term
ISBN
  • 978-0-9922263-1-2
  • 0-9922263-1-7
Waiting
  • 0 (0)
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*020  $a0-9922263-1-7
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*084  $aIbz Kentridge, William$2kssb/8
*1001 $aKentridge, William,$d1955-
*24500$a2nd hand reading /$cWilliam Kentridge
*24613$aSecond hand reading
*24613$aShorter Oxford English dictionary on historical principles
*24613$aWilliam Kentridge
*250  $a2. ed.
*260  $aJohannesburg :$bFourthwall Books,$c2014
*300  $a[Ca 800] s. :$bill. ;$c28 cm
*520  $aSouth African artist William Kentridge draws on varied sources in his work, including philosophy, literature, early cinema, theatre and opera. This publication began life as a film constructed from a succession of drawings made in 2013 on the pages of old books; a second-hand reading in which books are translated into a filming of books, articulating the relationship between drawing, photography and film-making. It is both a narrative and an acknowledgement of the necessity of repetition, inconsistency and the illogical. Kentridge has made many flip books, but at 800 pages this is his most ambitious. He has also been making animated films for two decades.0.
*599  $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*60014$aKentridge, William,$d1955-
*650 4$aArt and literature.
*650 7$aKünstlerbuch.$2gnd
*650 7$aVerfremdung.$2gnd
*650 7$aZeichnung.$2gnd
*650 7$aÜbermalung.$2gnd
*655 4$aBildband.
*7001 $aLittle, William$4edt
*7001 $aOnions, Charles T.,$d1873-1965
*852  $5Ko$bKo$hARTISTS' BOOKS$lKEN
^
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Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the necessity of repetition, inconsistency and the illogical. One of today's most preeminent and popular artists, Kentridge has made many flip books and book-length works that attest to his longstanding interest not only in film (he has been making animated films for two decades) but also in the relationship between drawing, photography and filmmaking. At 800 pages, Secondhand Reading is by far his most ambitious volume. An exquisitely produced publication, it boasts a robust French-fold dustjacket.

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