Location
Title Statement Curating and politics : beyond the curator : initial reflections
Publication, Distribution, etc. (Imprint) Hatje Cantz, Ostfildern : cop. 2015
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
Bibliography, etc. Note Includes bibliographical references.
Summary, etc Ever since the nineteen-nineties, curatorial discourse has revolved around the figure of the professional curator. Consequently, curatorial politics is usually considered the direct result of a curator's deliberate acts and intentions. Now, however, new institutional models and modes of exhibition practice together with key shifts in funding and collecting strategies have revealed aspects of curatorial politics over which the exhibition-maker has little or no control. The present volume presents a series of essays by noted art theorists and cultural scientists that go beyond the perspective of the individual curator to reveal these previously unexplored levels of curatorial politics.
Subject - Topical Term
Index Term - Uncontrolled
ISBN 978-3-7757-4079-1 3-7757-4079-1
Waiting
*00003112nam a22007217a 4500
*00140494
*00520160301030922.9
*008151229s2015 gw 000 0 eng
*015 $a15,N43$2dnb
*0167 $a1077338244$2DE-101
*020 $a978-3-7757-4079-1
*020 $a3-7757-4079-1
*035 $a(SE-LIBR)18659721
*035 $a(Ko)47717
*040 $aGWDNB$bger$cGWDNB$dLux
*08204$a111.85$223/swe
*084 $aDf$2kssb/8 (machine generated)
*24500$aCurating and politics :$bbeyond the curator : initial reflections /$cAndrea Phillips ... ; edited by Heidi Bale Amundsen and Gerd Elise Moerland
*260 $aOstfildern :$bHatje Cantz,$ccop. 2015
*300 $a122 s. ;$c22 cm.
*504 $aIncludes bibliographical references.
*5208 $aEver since the nineteen-nineties, curatorial discourse has revolved around the figure of the professional curator. Consequently, curatorial politics is usually considered the direct result of a curator's deliberate acts and intentions. Now, however, new institutional models and modes of exhibition practice together with key shifts in funding and collecting strategies have revealed aspects of curatorial politics over which the exhibition-maker has little or no control. The present volume presents a series of essays by noted art theorists and cultural scientists that go beyond the perspective of the individual curator to reveal these previously unexplored levels of curatorial politics.
*650 7$aMedia$xteori, filosofi$2sao
*650 7$aKonstkuratorer $2sao$0https://id.kb.se/term/sao/Konstkuratorer
*650 7$aKonstsamlingar$2sao$0https://id.kb.se/term/sao/Konstsamlingar
*650 7$aModern konst$2sao$0https://id.kb.se/term/sao/Modern%20konst
*650 0$aArt museum curators
*650 0$aArt, Modern
*650 0$aArt$xPrivate collections
*650 0$aArt museums
*653 $amedia theory
*653 $aMedientheorie
*653 $aKunstsammlungen
*653 $a106 : Zeitgenössische Kunst
*653 $aart collections
*653 $aContemporary art
*653 $aZeitgenössische Kunst
*7001 $aMørland, Gerd Elise$4edt
*7001 $aAmundsen, Heidi Bale$4ctb
*7001 $aDegot, Ekaterina$4ctb
*7001 $aDemos, T. J.$4ctb
*7001 $aGreenberg, Reesa$4ctb
*7001 $aMørland, Gerd Elise$4ctb
*7001 $aPhillips, Andrea$4ctb
*7001 $aSjöholm, Cecilia$4ctb
*852 $5Ko$bKo$cKONST -$hIib$lCUR
*950 $aCurators (konstmuseer)$uKonstkuratorer
*950 $wg$aKuratorer (museer)$uKonstkuratorer
*950 $aDatorkonst$wh$uModern konst
*950 $aDigital konst$wh$uModern konst
*950 $wh$aEntartete Kunst$uModern konst
*950 $aKonceptkonst$wh$uModern konst
*950 $aLand art$wh$uModern konst
*950 $wh$aLjuskonst$uModern konst
*950 $aMinimalism$wh$uModern konst
*950 $wh$aMultimedia (konst)$uModern konst
*950 $aOp-konst$wh$uModern konst
*950 $aPopkonst$wh$uModern konst
*950 $aPsykedelisk konst$wh$uModern konst
*950 $wh$aSkrivmaskinskonst$uModern konst
*950 $aVideokonst$wh$uModern konst
*950 $aSvenska konstsamlingar$wh$uKonstsamlingar
^
No reviews exists for this book.
Click here
to be the first to write a review.
Ever since the nineteen-nineties, curatorial discourse has revolved around the figure of the professional curator. Consequently, curatorial politics is usually considered the direct result of a curator's deliberate acts and intentions. Now, however, new institutional models and modes of exhibition practice together with key shifts in funding and collecting strategies have revealed aspects of curatorial politics over which the exhibition-maker has little or no control. The present volume presents a series of essays by noted art theorists and cultural scientists that go beyond the perspective of the individual curator to reveal these previously unexplored levels of curatorial politics.