Konstfacks bibliotek

*00001570nam a22003737a 4500
*00140453
*00520160307102940.3
*006a     |
*008140116t20142014xxua||p||b||||0|| ||eng d
*020  $a0-321-93428-8 (pbk.)
*020  $a978-0-321-93428-4 (pbk.)
*035  $a(SE-LIBR)16557748
*035  $a(Ko)47671
*040  $aNYP$beng$erda$cNYP$dVP@$dLD4$dYDXCP$dXFF$dIBS$dU
*05000$aZ250$b.S738 2014
*08204$a686.224$223/swe
*084  $aPoa$2kssb/8 (machine generated)
*1001 $aSpiekermann, Erik$eauthor.
*24510$aStop stealing sheep & find out how type works /$cErik Spiekermann.
*2463 $aStop stealing sheep and find out how type works
*250  $a3. ed.
*260  $a[San Francisco, California] :$bAdobe Press Books,$c2014.
*300  $a213 pages :$billustrations (some color) ;$c22 cm
*504  $aIncludes bibliographical references (pages 200-202) and indexes.
*5050 $aType is everywhere -- What is type? -- Looking at type -- Type with a purpose -- Type builds character -- Types of type -- How it works -- Putting it to work -- Type on screen -- There is no bad type -- Final form.
*599  $aImported from: liblink.bsu.edu:2200/unicorn (Do not remove)
*650 0$aType and type-founding.
*650 7$aTypografi$2sao
*650 7$aGrafisk formgivning$2sao
*650 0$aGraphic design (Typography)
*852  $5Ko$bKo$cGRAFISK DESIGN -$hAe$lSPI
*950  $aGrafisk design$uGrafisk formgivning
*950  $aGrafiska profiler$wh$uGrafisk formgivning
^

After two decades as one of the world's best-selling books on designing with type -- including editions in Korean, German, Russian, Portuguese, and Polish -- Stop Stealing Sheep & find out how type works continues to educate, entertain, and enlighten design students and type lovers around the globe.

In this third edition, acclaimed type designer Erik Spiekermann brings his type classic fully up to date on mobile and web typography. He also includes scores of new visual examples on how to effectively communicate with type and a full selection of new typefaces that are used and referenced throughout the book.

If you use type -- and these days, almost everyone does -- Spiekermann's engaging, common-sense style will help you understand how to look at type, work with type, choose the best typeface for your message, and express yourself more effectively through design. Compact, yet rich with anecdotes and visual examples, the handbook's multilayered design not only makes for a fun, fast read; it also invites exploration, ensuring you learn something new each and every time you open it up.

• Type is everywhere
• What is type?
• Looking at type
• Type with a purpose
• Type builds character
• Types of type
• How it works
• Putting it to work
• Type on screen
• There is no bad type
• Final form