Hylla DESIGN & KONSTHANTVERK - Ih:d
Personnamn
Titel och upphov The real thing : essays on making in the modern world
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 358 pages : illustrations (chiefly color) ; 21 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Visiting -- A cabinet of wonders -- The language of things -- The power of making -- The real thing -- The Omega project -- Arts & Crafts -- Picturesque pleasures -- Crafts Lives at the British Library -- Planes of reality -- Undercover Surrealism -- Middle English -- Fired with passion -- What is folk art? -- Beauty and foolishness -- Sculpture/furniture -- Ian Hamilton Finlay in Luton -- Carpet sweepers, old mangles -- Visiting Detroit -- Memory-work -- Cold War craft -- Sculpture in the home -- Down among the gamers -- Three-dimensional scribble syndrome -- Why don't we hate Etsy? -- A secret history of clay -- Bernard Leach as an artist and designer -- Heroes with feats of clay -- Ceramics in Italy -- Why shouldn't a pot be as beautiful as a painting? -- Talking to Reginald Reynolds Amponsah -- Where to see Mingei in Japan -- Orientalizing in Korea -- The flourish of wood and iron -- Robert Marsden -- The power of puppets -- Cool knitting -- The fine art of icing -- The writing on the wall -- How to get money -- Our past remade in China -- Makonde and David Mutasa -- Brian Clarke, glass artist -- The artist in residence -- Reading -- Unpacking my library -- Writing The crafts in Britain in the 20th century -- The apprentice -- Making art work -- Lurking anxiety and a sense of loss -- Concrete and curlicues -- Revivals! -- Folk nationalism -- The corrosion of character -- Craft without politics -- Philip K.Dick's The variable man' -- Distributism -- Let's save the world -- A larger moose is better -- Proustian mail order -- Tech-tinkering from Newcastle to Nairobi -- Rapid prototyping: the right tool for our time? -- Craft conviviality -- The future is handmade -- Theatres of memory -- Quarrymen's vernacular -- Object lessons -- Homesickness -- Why biography? -- People -- William Morris in our time -- T.J. Cobden-Sanderson and the meaning of life -- Picasso's ceramics -- Eric Gill, workman -- Le Corbusier, craft-lover -- Gordon Russell, English modern ist -- Alexander Calder and his circus -- Lucie Rie and reticence -- Isamu Noguchi and his search for roots -- Peggy Angus and flat pattern -- Barbara Hepworth and the missing biography -- Eva Zeisel's search for beauty: an obituary -- Sam Haile, a life unfinished -- Marianne Straub, industrial artist -- Constance Howard, the embroiderer with green hair -- Robin and Lucienne Day -- Ruth Duckworth, emigre -- Ralph Beyer, direct and uncompromising -- Ann Stokes, artists' potter -- Tadek Beutlich, weaver: an obituary -- Peter Collingwood, weaving for walls -- Norman Potter, dissenter: an obituary -- Eileen Lewenstein and a sense of duty -- Patrick Reyntiens, data reprocessor -- Gordon Baldwin and games of chance -- The still lives of Gwyn Hanssen Pigott -- Sam Herman and free glass -- Gillian Lowndes's strange transformations -- Carol McNicoll, slip-caster -- Svend Bayer and the aesthetics of denial -- Ron Arad: reinventing the wheel -- Philip Eglin, memory-traces -- Robin Wood, traditional radical -- Two essays -- For love and not for money': reviving peasant art' in Britain 1880--1930 -- Visionary rather than practical': craft, art, and material efficiency.
Term
ISBN 978-0-907259-50-3 0-907259-50-2
Antal i kö:
*00004295nam a22002897a 4500
*00140451
*00520160303030918.5
*008141021s2015 xxka b 001 0 eng d
*020 $a978-0-907259-50-3
*020 $a0-907259-50-2
*035 $a(SE-LIBR)19289531
*035 $a(Ko)47669
*040 $aUKMGB$beng$erda$cUKMGB$dOCLCO$dCDX$dNhCcYBP$dKo
*050 4$aN6490$b.H37 2015
*084 $aIh:d$2kssb/8
*1001 $aHarrod, Tanya,$eauthor.
*24514$aThe real thing :$bessays on making in the modern world /$cTanya Harrod.
*300 $a358 pages :$billustrations (chiefly color) ;$c21 cm.
*504 $aIncludes bibliographical references and index.
*50500$tVisiting --$tA cabinet of wonders --$tThe language of things --$tThe power of making --$tThe real thing --$tThe Omega project --$tArts & Crafts --$tPicturesque pleasures --$tCrafts Lives at the British Library --$tPlanes of reality --$tUndercover Surrealism --$tMiddle English --$tFired with passion --$tWhat is folk art? --$tBeauty and foolishness --$tSculpture/furniture --$tIan Hamilton Finlay in Luton --$tCarpet sweepers, old mangles --$tVisiting Detroit --$tMemory-work --$tCold War craft --$tSculpture in the home --$tDown among the gamers --$tThree-dimensional scribble syndrome --$tWhy don't we hate Etsy? --$tA secret history of clay --$tBernard Leach as an artist and designer --$tHeroes with feats of clay --$tCeramics in Italy --$tWhy shouldn't a pot be as beautiful as a painting? --$tTalking to Reginald Reynolds Amponsah --$tWhere to see Mingei in Japan --$tOrientalizing in Korea --$tThe flourish of wood and iron --$tRobert Marsden --$tThe power of puppets --$tCool knitting --$tThe fine art of icing --$tThe writing on the wall --$tHow to get money --$tOur past remade in China --$tMakonde and David Mutasa --$tBrian Clarke, glass artist --$tThe artist in residence --$tReading --$tUnpacking my library --$tWriting The crafts in Britain in the 20th century --$tThe apprentice --$tMaking art work --$tLurking anxiety and a sense of loss --$tConcrete and curlicues --$tRevivals! --$tFolk nationalism --$tThe corrosion of character --$tCraft without politics --$tPhilip K.Dick's The variable man' --$tDistributism --$tLet's save the world --$tA larger moose is better --$tProustian mail order --$tTech-tinkering from Newcastle to Nairobi --$tRapid prototyping: the right tool for our time? --$tCraft conviviality --$tThe future is handmade --$tTheatres of memory --$tQuarrymen's vernacular --$tObject lessons --$tHomesickness --$tWhy biography? --$tPeople --$tWilliam Morris in our time --$tT.J. Cobden-Sanderson and the meaning of life --$tPicasso's ceramics --$tEric Gill, workman --$tLe Corbusier, craft-lover --$tGordon Russell, English modern ist --$tAlexander Calder and his circus --$tLucie Rie and reticence --$tIsamu Noguchi and his search for roots --$tPeggy Angus and flat pattern --$tBarbara Hepworth and the missing biography --$tEva Zeisel's search for beauty: an obituary --$tSam Haile, a life unfinished --$tMarianne Straub, industrial artist --$tConstance Howard, the embroiderer with green hair --$tRobin and Lucienne Day --$tRuth Duckworth, emigre --$tRalph Beyer, direct and uncompromising --$tAnn Stokes, artists' potter --$tTadek Beutlich, weaver: an obituary --$tPeter Collingwood, weaving for walls --$tNorman Potter, dissenter: an obituary --$tEileen Lewenstein and a sense of duty --$tPatrick Reyntiens, data reprocessor --$tGordon Baldwin and games of chance --$tThe still lives of Gwyn Hanssen Pigott --$tSam Herman and free glass --$tGillian Lowndes's strange transformations --$tCarol McNicoll, slip-caster --$tSvend Bayer and the aesthetics of denial --$tRon Arad: reinventing the wheel --$tPhilip Eglin, memory-traces --$tRobin Wood, traditional radical --$tTwo essays --$tFor love and not for money': reviving peasant art' in Britain 1880--1930 --$tVisionary rather than practical': craft, art, and material efficiency.
*599 $aImported from: library.metmuseum.org:210/INNOPAC (Do not remove)
*650 0$aArt, Modern $y20th century$xHistory.
*650 0$aHandicraft$xHistory$y20th century.
*650 0$aDesign$xHistory$y20th century.
*650 7$aKonsthantverk$xteori, filosofi$2sao
*852 $5Ko$bKo$cDESIGN & KONSTHANTVERK -$hIh:d$lHAR
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Over thirty years, Tanya Harrod has written on craft for newspapers, magazines, and journals. As these essays show, there are no boundaries in her vision: art is considered in the light of craft, and craft in the light of art; design is present too - developing and sometimes separating from craft and art. In part these essays document the development of these shifts, looking always at the particular, vivid embodiment. The real thing is a surprising and substantial contribution to the literature of 'making'.Tanya Harrod's subjects range from the sculpture of Barbara Hepworth to the poetic objects-in-landscape of Ian Hamilton Finlay, from the science fiction of Philip K. Dick to the theories of Richard Sennett, from Welsh quarry slates to the fine art of icing cakes, from the ceramics of Pablo Picasso to the still lives of Gwyn Hanssen Pigott. The essays are grouped into three parts: reviews of exhibitions and events ('Visiting'), reflections on themes and phenomena ('Reading'), warm and historically informed portraits of makers ('People'). Two longer essays are appended, previously published in hard-to-access publications.