Konstfacks bibliotek

*00003446nam a22005057a 4500
*00140438
*00520160829161410.9
*008151001s2016    xxua     bc   000 0 eng
*010  $a2015038191
*020  $a978-3-7913-5502-3
*020  $a3-7913-5502-3
*020  $a9783791355023
*035  $a(SE-LIBR)19282033
*035  $a(Ko)47649
*040  $aDLC$beng$erda$cDLC$dYDXCP$dOCLCF$dBTCTA$dBDX$dNNMM$dKo
*042  $apcc
*05000$aN7153.F53$bA4 2016
*08200$a700.92$223
*084  $aIbz Fischli, Peter$2kssb/8
*084  $aIbz Weiss, David$2kssb/8
*1300 $aFischli Weiss (Solomon R. Guggenheim Museum)
*24510$aPeter Fischli David Weiss :$bhow to work better /$cedited by Nancy Spector and Nat Trotman
*264 1$aNew York :$bDelmonico Books/Prestel,$c2016
*300  $a400 pages :$b740 color illustrations
*336  $atext$2rdacontent.
*337  $aunmediated$2rdamedia.
*338  $avolume$2rdacarrier.
*500  $a"Published on the occasion of the exhibition Peter Fischli David Weiss: How to Work Better, Organized by Nancy Spector and Nat Trotman."
*504  $aIncludes bibliographical references.
*5050 $aPeter Fischli and David Weiss : Work -- What Shall I Waste My Time On? / Nancy Spector -- Phantoms / Nat Trotman -- Bad Products / Ann Goldstein -- Public Relations / John Kelsey -- Still Lives / Isabelle Graw.
*520  $aThroughout the course of their collaboration, Peter Fischli and David Weiss celebrated the sheer triviality of everyday existence, observing the world with bemused detachment. As this book shows, their often humorous work offers a sustained reflection on the intertwined strands of leisure, productivity and playful absurdity that shape our lives. With its deliberately mundane subject matter and quotidian source material, their work explores the poetics of banality in a wide range of mediums, including photography, videos, slide projections, films, books, sculptures and multimedia installations. This retrospective volume features an in-depth, illustrated survey of the artists' long history of collaboration, from the early Sausage Series (1979)-staged vignettes created in miniature using deli meats and various household items-to their last work, the large-scale public installation Rock on Top of Another Rock (2010-13), augmented by archival images, notes on process and interview excerpts culled from the artists' Zurich-based archives. A series of probing essays on their practice and thematic concerns rounds out this definitive account of Fischli and Weiss's vital contribution to contemporary art. Exhibition: Solomon R. Gugenheim Museum, New York, USA (05.02-20.04.2016)
*599  $aImported from: library.metmuseum.org:210/INNOPAC (Do not remove)
*60017$aFischli, Peter,$d1952-
*60017$aWeiss, David,$d1946-
*61020$aFischli & Weiss$vExhibitions.
*61027$aFischli & Weiss
*655 7$aExhibition catalogs.$2fast
*7001 $aSpector, Nancy$4edt
*7001 $aTrotman, Nat$4edt
*71012$aFischli & Weiss.$tWorks.$kSelections.
*7102 $aSolomon R. Guggenheim Museum,$eorganizer.
*841  $5Ko$ax  a$b160217||0000|||||001||||||000000$e1
*852  $5Ko$bKo$cKONST -$hIbz Fischli & Weiss$lPET
*910  $aGuggenheim-museet i New York$uSolomon R. Guggenheim Museum
*910  $aGuggenheim Museum of Art$uSolomon R. Guggenheim Museum
^

Paying tribute to an artistic partnership of more than 30 years, this richly illustrated book explores Peter Fischli and David Weiss's acclaimed and influential body of work, known for its sly humor and profound meditations on the everyday. Throughout the course of their collaboration, Peter Fischli and David Weiss celebrated the sheer triviality of everyday existence, observing the world with bemused detachment. As this book shows, their often humorous work offers a sustained reflection on the intertwined strands of leisure, productivity, and playful absurdity that shape our lives. With its deliberately mundane subject matter and quotidian source material, their work explores the poetics of banality in a wide range of mediums, including photography, videos, slide projections, films, books, sculptures, and multimedia installations. This retrospective volume features an in-depth, illustrated survey of the artists' long history of collaboration, from the early Sausage Series (1979)--staged vignettes created in miniature using deli meats and various household items--to their last work, the large-scale public installation Rock on Top of Another Rock (2009-present), augmented by documentary images, notes on process, and interview excerpts culled from the artists' Zurich-based archives. A series of probing essays on their practice and thematic concerns rounds out this definitive account of Fischli and Weiss's vital contribution to contemporary art.