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Subversive ceramics
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  • KERAMIK - Ihfa
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Titel och upphov
  • Subversive ceramics
Utgivning, distribution etc.
  • Bloomsbury Academic, New York : 2016
Utgivningsår
  • 2016
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 160 s. : ill.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehåll
  • Machine generated contents note: -- Introduction -- Part One: Defining Subversion and Satire -- 1. Vice and Folly -- 2. Objection! A History of Protest -- Part Two: Subversion in Contemporary Ceramics -- 3. The Peasants' Revolt: Form and Message -- 4. Emancipation: New Methods of Production -- 5. The Campaigning Trail -- Conclusion -- Index.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • "Satire has been used in ceramic production for centuries. Historically, it occurred either as a slogan or proverb written on to the ceramic surface; as pictorial surface imagery; or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking well known historic forms to make their point. Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used these predominantly domestic objects to agitate among the masses or simply express their ideas. 90 colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate. Divided into two parts, Subversive Ceramics discusses a selection of historical and contemporary works by artists and makers from twenty-one different countries, from 500BC to the present day"-- Provided by publisher.
Term
ISBN
  • 978-1-4725-2854-4 (hardback)
Antal i kö:
  • 0 (0)
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*260  $aNew York :$bBloomsbury Academic,$c2016
*300  $a160 s. :$bill.
*504  $aIncludes bibliographical references and index.
*5058 $aMachine generated contents note: -- Introduction -- Part One: Defining Subversion and Satire -- 1. Vice and Folly -- 2. Objection! A History of Protest -- Part Two: Subversion in Contemporary Ceramics -- 3. The Peasants' Revolt: Form and Message -- 4. Emancipation: New Methods of Production -- 5. The Campaigning Trail -- Conclusion -- Index.
*520  $a"Satire has been used in ceramic production for centuries. Historically, it occurred either as a slogan or proverb written on to the ceramic surface; as pictorial surface imagery; or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking well known historic forms to make their point. Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used these predominantly domestic objects to agitate among the masses or simply express their ideas. 90 colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate. Divided into two parts, Subversive Ceramics discusses a selection of historical and contemporary works by artists and makers from twenty-one different countries, from 500BC to the present day"--$cProvided by publisher.
*599  $aImported from: lx2.loc.gov:210/LCDB (Do not remove)
*650 7$aSatir i konsten$2sao
*650 7$aKeramik$2sao$0https://id.kb.se/term/sao/Keramik
*650 0$aPottery$xSocial aspects.
*650 0$aSocial problems in art.
*650 0$aSatire in art.
*650 7$aANTIQUES & COLLECTIBLES / Pottery & Ceramics.$2bisacsh
*650 0$aCeramics
*650 0$aPottery
*650 0$aSatire in art
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^
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A Choice Outstanding Academic Title 2016 Satire has been used in ceramic production for centuries. Historically, it occurred as a slogan or proverb written into the ceramic surface; as pictorial surface imagery; or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking familiar historic forms to make a political point.Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate.Claudia Clare explores work by artists from twenty-one different countries, from 500 BC to the present day. These range range from the French artist Honoré Daumier and the enslaved African-American potter David Drake to contemporary artists including Lubaina Himid, Virgil Ortiz and Shlomit Bauman,whose work and the means of its production has addressed or commented upon issues such as disputed homelands, identify, race, gender and colonialism.

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