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Beastly = Tierisch
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  • FOTOGRAFI - Inbvz Djur
Titel och upphov
  • Beastly = Tierisch
Varianttitel
  • Tierisch.
Utgivning, distribution etc.
  • Spector Books ; Fotomuseum Winterthur, Leipzig : Winterthur : c2015
Utgivningsår
  • 2015
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 183 pages : illustrations (chiefly color) ; 27 cm.
Anmärkning: Allmän
  • Exhibition catalog.
  • Contains no title page, title from cover.
  • On the occasion of an exhibition held at the Fotomuseum Winterthur, May 30 - October 4, 2015.
  • Includes list of works.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references.
Anmärkning: Språk
  • Parallel texts in English and German.
Term
Institutionsnamn
ISBN
  • 978-3-95905-037-1
  • 3-95905-037-2
Antal i kö:
  • 0 (0)
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*24631$aTierisch.
*260  $aLeipzig :$bSpector Books ;$aWinterthur :$bFotomuseum Winterthur,$cc2015
*300  $a183 pages :$billustrations (chiefly color) ;$c27 cm.
*500  $aExhibition catalog.
*500  $aContains no title page, title from cover.
*500  $aOn the occasion of an exhibition held at the Fotomuseum Winterthur, May 30 - October 4, 2015.
*500  $aIncludes list of works.
*504  $aIncludes bibliographical references.
*546  $aParallel texts in English and German.
*599  $aImported from: library.metmuseum.org:210/INNOPAC (Do not remove)
*650 0$aPhotography of animals$vExhibitions.
*7001 $aForbes, Duncan$4edt
*7001 $aJanser, Daniela$4edt
*7001 $aUnglaub, Leo$4trl
*7001 $aDavis, Heather$4aut
*7102 $aFotomuseum Winterthur.
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*852  $5Ko$bKo$cFOTOGRAFI -$hInbvz Djur$lBEA
^
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Representations of animals are ubiquitous: from advertising hoardings, newspapers, books, magazines, and television shows, to the hundreds of thousands of images uploaded every day to the Internet. During the last twenty years, artists, too, have engaged with the animal in an effort to articulate more beastly visions. How can animals as autonomous creative entities take possession of an unshackled imaginative space cut loose from the human? Beastly/ Tierisch has an innovative, visually daring design, superimposing a selection of artistic works onto a host of pictures from the Internet. This rich image material is supplemented by four essays: about animality and the history of photography (Duncan Forbes), the political and philosophical animal (Slavoj Zizek), the virtual zoo of the Internet (Ana Teixeira Pinto), and the changing identities of animals under anthropogenic pressures (Heather Davis).

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