Konstfacks bibliotek

   
Making Renaissance art
Komihåglistan är tom
Vis
Hylla
  • KONST - Ib.4
Titel och upphov
  • Making Renaissance art
Utgivning, distribution etc.
  • Yale University Press ; In association with The Open University, New Haven [Conn.] ; London : Milton Keynes, U.K. : 2007.
Utgivningsår
  • 2007
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 314 p. : col. ill., maps ; 29 cm.
Serietitel - ej biuppslagsform
Nummer i serie
  • 1
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (p. 293-301) and index.
Anmärkning: Innehåll
  • Drawing and workshop practices / Catherine King -- Constructing space in Renaissance painting / Carol M. Richardson -- The illusion of life in fifteenth-century sculpture / Kim W. Woods -- Architecture : theory and practice / Tim Benton -- Making Renaissance altarpieces / Diana Norman -- The printed picture in the Renaissance / Charles Harrison -- Making histories, publishing theories / Catherine King.
Term
Geografiskt namn
Elektronisk adress och åtkomst (URI)
  • Table of contents only http://www.loc.gov/catdir/toc/ecip0616/2006021242.html
  • Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0702/2006021242-b.html
  • Publisher description http://www.loc.gov/catdir/enhancements/fy0702/2006021242-d.html
ISBN
  • 978-0-300-12189-6 (cl : alk. paper)
Antal i kö:
  • 0 (0)
*00002556nam a22005417a 4500
*00140005
*00520151009030852.5
*008060626s2007    ctuab    b    001 0 eng c
*010  $a2006021242
*015  $aGBA667990$2bnb
*0167 $a013526895$2Uk
*020  $a978-0-300-12189-6 (cl : alk. paper)
*035  $a(SE-LIBR)10635438
*035  $a(Ko)45159
*040  $aDLC$cDLC$dUKM$dBAKER$dBTCTA$dBWKUK$dYDXCP$dYDX$dTJC$dNLGGC$dUPP$dBWK$dS
*05000$aN6370$b.W65 2007
*08204$a709.024$222
*08200$a709.02/4$222
*084  $a20.70$2bcl
*084  $aIb.41$2kssb/8
*24510$aMaking Renaissance art /$cedited by Kim W. Woods
*260  $aNew Haven [Conn.] ;$aLondon :$bYale University Press ;$aMilton Keynes, U.K. :$bIn association with The Open University,$c2007.
*300  $a314 p. :$bcol. ill., maps ;$c29 cm.
*4900 $aRenaissance art reconsidered ;$v1
*504  $aIncludes bibliographical references (p. 293-301) and index.
*50500$tDrawing and workshop practices /$rCatherine King --$tConstructing space in Renaissance painting /$rCarol M. Richardson --$tThe illusion of life in fifteenth-century sculpture /$rKim W. Woods --$tArchitecture : theory and practice /$rTim Benton --$tMaking Renaissance altarpieces /$rDiana Norman --$tThe printed picture in the Renaissance /$rCharles Harrison --$tMaking histories, publishing theories /$rCatherine King.
*599  $aDawson
*650 0$aArt, Renaissance.
*650 0$aArt$xTechnique$xHistory.
*650 7$aRenässanskonst$2sao
*65017$aBeeldende kunsten.$2gtt
*65017$aRenaissance.$2gtt
*650 0$aArt, Renaissance
*651 7$aEuropa (geografie)$2gtt
*7001 $aWoods, Kim W.$4edt$4aut
*841  $5Ko$ax  a$b150925||0000|||||001||||||000000$e1
*852  $5Ko$bKo$hKONST - Ib.4$lMAK
*85642$3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0616/2006021242.html
*85642$3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0702/2006021242-b.html
*85642$3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0702/2006021242-d.html
*950  $w||e$aKonst$xhistoria$yrenässansen$uRenässanskonst
*950  $aRenässansen$xkonsthistoria$w||e$uRenässanskonst
*950  $aRenässansen$xkonst$uRenässanskonst
*950  $aRenässansens konst$uRenässanskonst
*950  $aKonst$xhistoria$wg$uRenässanskonst
*950  $aManierism$wh$uRenässanskonst
*950  $aSenrenässans$wh$uRenässanskonst
*950  $aUngrenässans$wh$uRenässanskonst
^
Det finns inga omdömen till denna titeln.
Klicka här för att vara den första som skriver ett omdöme.

This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life.
Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.

Ex.namnStatusFörfallodagTillhörPlatsHylla
 Tillgängligt Konstfacks bibliotek KONST - Ib.4