Location
Title Statement
Publication, Distribution, etc. (Imprint) Yale University Press ; In association with The Open University, New Haven [Conn.] ; London : Milton Keynes, U.K. : 2007.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description 314 p. : col. ill., maps ; 29 cm.
Series Statement
Bibliography, etc. Note Includes bibliographical references (p. 293-301) and index.
Formatted Contents Note Drawing and workshop practices / Catherine King -- Constructing space in Renaissance painting / Carol M. Richardson -- The illusion of life in fifteenth-century sculpture / Kim W. Woods -- Architecture : theory and practice / Tim Benton -- Making Renaissance altarpieces / Diana Norman -- The printed picture in the Renaissance / Charles Harrison -- Making histories, publishing theories / Catherine King.
Subject - Topical Term
Subject - Geographic Name
Electronic Location and Access Table of contents only http://www.loc.gov/catdir/toc/ecip0616/2006021242.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0702/2006021242-b.html Publisher description http://www.loc.gov/catdir/enhancements/fy0702/2006021242-d.html
ISBN 978-0-300-12189-6 (cl : alk. paper)
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This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.