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Titel och upphov JR : can art change the world?
Utgivning, distribution etc. Phaidon Press, London : 2015
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Allmän Beginnings / Joseph Remnant -- If a smile is a weapon: the art of JR / Nato Thompson
Personnamn
Term
ISBN
Antal i kö:
*00001275nam a22004097a 4500
*00139983
*00520151006030927.2
*008150921s2015 xxka 000 0 eng c
*020 $a978-0-7148-6949-0 (inb.)
*035 $a(SE-LIBR)18427605
*035 $a(Ko)45136
*040 $aKo
*084 $aIbz JR$2kssb/8
*1000 $aJR
*24510$aJR :$bcan art change the world? /$c[text, Nato Thompson]
*260 $aLondon :$bPhaidon Press,$c2015
*300 $a295 s. :$bill.
*500 $aBeginnings / Joseph Remnant -- If a smile is a weapon: the art of JR / Nato Thompson
*60004$aJR
*650 7$aGatukonst$2sao$0https://id.kb.se/term/sao/Gatukonst
*650 7$aFotokonst$2sao
*650 0$aPhotography, Art istic
*650 0$aStreet art
*7001 $aThompson, Nato$4aut
*7001 $aRemnant, Joseph$4aut
*841 $5Ko$ax a$b150921||0000|||||001||||||000000$e1
*852 $5Ko$bKo$hKONST - Ibz JR$lJR
*950 $aFotografisk konst$uFotokonst
*950 $aKonstnärlig fotografi$uFotokonst
*950 $aFotografi$wg$uFotokonst
*950 $aKonst$wg$uFotokonst
*950 $aSnapshot (fotografi)$wh$uFotokonst
*950 $aFotokonstnärer$uFotokonst
*950 $aStreet art $uGatukonst
*950 $aRondellhundar$wh$uGatukonst
*950 $aGraffiti$uGatukonst
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The first major and in-depth retrospective monograph on JR, the enigmatic and anonymous Parisian photographer/street artist/activist behind some of the world's most provocative large-scale public photography projects.
Created in close collaboration with JR, this book includes all bodies of his work, his collaborations with other artists and institutions such as the New York Ballet and previously unpublished behind-the-scenes documentation of his studios in Paris and New York, where he and his creative collaborators live and work.
Introducing JR 's story is a specially commissioned graphic novel by comic artist Joseph Remnant, which charts his rise from graffiti roots and his decision to become a full-time artist.
Features a survey essay by Nato Thompson, Chief Curator of Creative Time, New York.