Konstfacks bibliotek

*00003251nam a22004937a 4500
*00139967
*00520151002030920.0
*008150420t20152015xxuab    bc   001 0 eng d
*020  $a0-520-28236-1 (pbk.)
*020  $a978-0-520-28236-0 (pbk.)
*035  $a(SE-LIBR)18467882
*035  $a(Ko)45120
*040  $dKo$aYDXCP$beng$cYDXCP$dBTCTA$dBDX$dOCLCQ$dCDX$dNYP$dOCLCO$dWVU$dOCLCO$dOCLCF$dOCLCO
*050 4$aN6537.H574$bA4 2015
*08204$a709.2$223
*084  $aKONST - Ibz Holt, Nancy$2kssb/8
*1001 $aHolt, Nancy,$d1938-2014$4art
*24510$aNancy Holt :$bsightlines /$cAlena J. Williams ; with contributions by Pamela M. Lee, Lucy R. Lippard, Nancy Holt, Ines Schaber, Matthew Coolidge, James Meyer, Julia Alderson
*24630$aSightlines
*260  $aOakland, California :$bUniversity of California Press,$c2015
*300  $a296 pages :$billustrations (some color), maps ;$c28 cm
*500  $a"Published to coincide with the traveling exhibition on observational modes in Nancy Holt's early films, videos, and related works from 1966-1980. Held at: Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, September 22-December 11, 2010; Badischer Kunstverein, Karlesruhe, Germany, January 28-March 27, 2011; Graham Foundation for Advanced Studies in Fine Arts, Chicago, October 6-December 17, 2011;  Tufts University Art Gallery at the Aidekman Arts Center, Medford, Massachusetts, January 19-April 1, 2012; Santa Fe Arts Institute, Santa Fe, May 5-June 29, 2012; Utah Museum of Fine Arts, University of Utah, Salt Lake City, October 18, 2012-January 20, 2013"--Title page verso.
*504  $aIncludes bibliographical references (pages 284-289) and index.
*50500$tPreface ; Introduction /$rAlena J. Williams --$tArt as a social system : Nancy Holt and the second-order observer /$rPamela M. Lee --$tTunnel visions : Nancy Holt's art in the public eye /$rLucy R. Lippard --$tPhotographs and writings on selected site-specific sculptures /$rNancy Holt --$tThe claims she stakes : a reading of Nancy Holt's archive /$rInes Schaber --$tConcrete traces : Nancy Holt's speaking media /$rAlena J. Williams --$tSky mound : monument of perpetual possibility /$rMatthew Coolidge --$tInterview with Nancy Holt /$rJames Meyer --$tSelected artist's writings /$rNancy Holt --$tChronology /$rJulia Alderson.
*599  $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*60010$aHolt, Nancy,$d1938-2014$vExhibitions.
*60014$aHolt, Nancy,$d1938-2014
*650 0$aEarthworks (Art)$vExhibitions.
*650 0$aInstallations (Art)$vExhibitions.
*650 0$aVideo art$vExhibitions.
*650 7$aEarthworks (Art)$2fast
*650 7$aInstallations (Art)$2fast
*650 7$aVideo art.$2fast
*655 7$aExhibition catalogs.$2fast
*7001 $aWilliams, Alena J.$4aut
*7001 $aLee, Pamela M.$4ctb
*7102 $aWallach Art Gallery,
*7102 $aBadischer Kunstverein,
*7102 $aGraham Foundation for Advanced Studies in the Fine Arts,
*7102 $aTufts University.$bArt Gallery,
*7102 $aUtah Museum of Fine Arts,
*841  $5Ko$ax  a$b1510014u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hKONST - Ibz Holt, Nancy$lHOL
^

This is the first retrospective study of Nancy Holt, the visionary American artist--a landmark companion book to the "Nancy Holt: Sightlines" exhibition. Holt's wide-ranging body of work since the late 1960s includes Land art--particularly the monumental Sun Tunnels (1973-1976), major works of sculpture, installations, film, and video. A comprehensive representation of her working process in both word and image, this book illuminates Holt's interest in physical space and reveals how the geographic variety and boundlessness of the American landscape afforded the artist numerous opportunities to develop large-scale projects beyond the confines of New York City's gallery walls. Essays by a diverse and distinguished group of contributors--including Pamela M. Lee, Lucy R. Lippard, Ines Schaber, and Matthew Coolidge--chart Holt's fascinating trajectory from her initial experiments with sound, light, and industrial materials to major site interventions and environmental sculpture. James Meyer's valuable interview with Holt and Julia Alderson's illustrated chronology expand our knowledge of this groundbreaking artist and the crucial contexts in which she worked. More than twenty original writings by the artist and a rare selection of her concrete poetry, documentary photographs, and preparatory drawings reveal Holt's revolutionary concepts of space, time, optics, and scale.