Hylla INREDNING - Ihhz Perriand, Charlotte
Personnamn
Titel och upphov Complete works. Volume 2, 1940-1955
Varianttitel
Utgivning, distribution etc. Scheidegger & Spiess, Zurich : 2015
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 526 pages : illustrations (some color), portaits ; 32 cm.
Personnamn
Term
ISBN
Antal i kö:
*00001122nam a22003017a 4500
*00139880
*00520150905030857.4
*008150812s2015 sz a 001 0beng c
*020 $a978-3-85881-747-1
*035 $a(SE-LIBR)18242086
*035 $a(Ko)45008
*040 $aKo
*08204$a747.092$223
*084 $aIbz Perriand, Charlotte$2kssb/8
*1001 $aPerriand, Charlotte$4art
*24510$aComplete works.$nVolume 2,$p1940-1955 /$cCharlotte Perriand ; Jacques Barsac ; preface, Paul Thompson ; [translated by Genevieve Hendricks ...]
*2463 $aCharlotte Perriand.
*260 $aZurich :$bScheidegger & Spiess,$c2015
*300 $a526 pages :$billustrations (some color), portaits ;$c32 cm.
*60014$aPerriand, Charlotte,$d1903-1999
*650 7$aMöbler$xdesign$2sao
*650 0$aInterior decoration$zFrance$xHistory$y20th century.
*650 0$aFurniture design$zFrance$xHistory$y20th century.
*7001 $aBarsac, Jacques$4aut
*7001 $aThompson, Paul$4aui
*841 $5Ko$ax a$b150812||0000|||||001||||||000000$e1
*852 $5Ko$bKo$hINREDNING - Ihhz Perriand, Charlotte$lPER
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Charlotte Perriand is among the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators Pierre Jeanneret and Le Corbusier, she created many pieces of furniture we now consider classics, including the instantly recognizable LC4 chaise. Her pioneering work with metal was particularly instrumental in paving the way for the machine-age aesthetic popular throughout the 1920s and '30s. The second volume in a planned four-part series, this lavish book covers the years between 1940 and 1955. Beginning in the 1940s, Perriand traveled extensively in Japan by invitation of the Japanese government with whom she worked as an advisor to modernize the country's design. During this period, she took many photographs documenting traditional Japanese culture, many of which are published here for the first time. From 1952 to 1955, a fruitful collaboration with the Ateliers Jean Prouvé provided for the first time the technical means for Perriand to mass-produce her designs while also further improving Prouvé's own work both aesthetically and practically. A number of emblematic masterpieces came about as a result of this collaboration, including the Tunisian and Mexican dormitories at the Cité internationale universitaire de Paris. Covering these important moments and many others, including Perriand's work in Vietnam, in founding the Formes Utiles movement, and in further collaborations with Le Corbusier and Pierre Jeanneret, Charlotte Perriand continues the three-volume exploration of this key figure, complete with annotations and a bibliography for further research.
Preface Paul Thompson Japan 1940-42 Advising the Production of Industrial Art in Japan, February, 1940 Long before the Mission to Japan The Context of the Mission Arrival in Japan, August, 1940 The Diversity of Japanese Production: Mingei An Exhibition Project The Discovery of Kyoto Visits, Lectures, Advising Preparing the Exhibition "Selection, Tradition, Creation"-Tokyo and Osaka, 1941 The Exhibition Catalog: A Critique of the Authorities The Apartment of Étienne Sicard, 1941 The End of the Mission in Japan Waiting for a Ship to the United States or France Indochina 1942-46 First Trip for an Exhibition and a Lecture, 1942 Advising Craftsmen and Small Industries in Indochina, 1943-1944 Reconstruction Return to France, 1946 Méribel, 1946-48 Urgent Furniture for Reconstruction, L'Équipement de la Maison Furniture for Knoll, 1946-1948 The Minimum Family Home, the Saint-Lô Hospital, 1947-49 "When materials and techniques are freed, a whole world of creative possibilities will be revealed." The Unité d'habitation of Marseille, 1947-49 Val-d'Isère Sports, Valsport Robert Killy, 1948-49 The CH Chalet, 1948-49 Publications on Japan The Beginnings of Hardware Formes Utiles, 1949 The Art of Dwelling, 1950 A Kitchen for Élisabeth de Vilmorin, 1949-50 Coquatrix Apartment, 1950 Monnet Apartment, 1950 Special Comissions Chalet in Megève, 1951 The Unité d'habitation o Toulon, 1951 The End of the Perriand-Jeanneret Collaboration, 1951 The Milan Triennial, 1951 The first Competition for the Cité universitaire of Antony, 1950-51 The Maison de l'étudiant en médecine. 1949-51 The BCD Furnishings for Africa, 1950-53 The Unité d'habitation Air France in Brazzaville, 1950-52 Building and Villa in Conakry, Banks in Douala and Fort-Lamy, 1952-54 The Hôtel de France in Conakry, 1952-53 The Apartment on rue Las Cases 1951-52 Formes Utiles at the Salon des arts ménagers, 1952 Collaboration With The Ateliers Jean Prouvé The Collaboration Agreement, 1952 Aesthetic and Practical Improvement of Jean Prouvé's Furniture Two Iconic Creations, 1952 The Maison de la Tunisie at the Cité universitaire, 1952 The Maison du Mexique at the Cité universitaire, 1952 The Furnishing of High Schools, Student Housing Projects, 1952-53 Residential Housing for the Ateliers Jean Prouvé, 1952-53 Issuing of Charlotte Perriand's Furniture by the Ateliers Jean Prouvé. 1953-55 The Antony Competition and the Perriand-Prouvé Team, 1954-55 Tokyo 1953-55 Return to Japan, 1953 Standardization and Nomenclature, the Lessons of Japan The Art of Dwelling and the Synthesis of the Arts, Avatars of the Exhibitions "Proposal for a Synthesis of the Arts," Tokyo, 1955 Collaboration with Kenzo Tange Charlotte Perriand's Influence on Japanese Design Endnotes Biography Bibliography Index