Konstfacks bibliotek

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*008150525s2015    it a     bc   001 0deng d
*020  $a978-88-317-2128-8$z978883172128
*020  $a88-317-2128-3
*035  $a(SE-LIBR)18257798
*035  $a(Ko)44975
*040  $aC3L$beng$erda$cC3L$dOCLCO$dCOD$dOCLCO
*0411 $aeng$hita
*050 4$aN6496.3.I8$bV46 2015
*08214$a709$214
*084  $aIb.6$2kssb/8
*084  $aIit-iz Venedig: Biennalen$2kssb/8
*1112 $aBiennale di Venezia$n(56 :$d2015 :$cVenice, Italy)
*24512$aLa Biennale di Venezia :$b56th International Art Exhibition : all the world's futures = 56. Esposizione internazionale d'arte /$cartistic organizer and managing editor, Luz Gyalui ; translations, Lemuel Caution.
*24610$aAll the world's futures.
*24630$a56th International Art Exhibition.
*250  $aFirst edition.
*260  $aVenice, Italy :$bMarsilio Editori,$c2015
*300  $a2 volumes :$bchiefly illustrations (chiefly color) ;$c27 cm.
*500  $aCatalog of the 56th edition of La Biennale di Venezia, Venice, Italy, May 9-November 22, 2015.
*500  $aItalian ed. also avail. (see our card no. 3030738, EAN 9788831721455)
*500  $aFor the guide, see our card no. 3043272.
*504  $aIncludes bibliographical references and index.
*5050 $a[v. 1]. Exhibition -- [v. 2] Participating countries, collateral events.
*546  $aText in English.
*599  $aImported from: library.metmuseum.org:210/INNOPAC (Do not remove)
*61124$aBiennale di Venezia ($n56 :$d2015)
*650 0$aArt, Modern$xExhibitions.
*650 0$aArts, Modern$xExhibitions.
*7001 $aGyalui, Luz$4edt
*7870 $aBiennale di Venezia (56th : 2015 : Venice, Italy)$tBiennale di Venezia.$bPrima edizione.$dVenezia, Italia : Marsilio editori, maggio 2015.$z9788831721455.
*841  $5Ko$ax  a$b1508174u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hKONST - Ib.5$lBIE
^

Rather than one overarching theme, the 56th International Art Exhibition of the Biennale is informed by a layer of intersecting filters. These filters are a constellation of parameters that circumscribe multiple ideas which will be touched upon to imagine and realize a diversity of practices.



All the World's Futures employs as a filter the historical trajectory that the Biennale itself, over the course of its one hundred and twenty years existence has run over. A filter through which to reflect on both the current 'state of things' and the 'appearance of things.' At its core is the notion of the exhibition as a stage, where historical and counter-historical projects are explored. Within this framework the main aspects of the 56th Biennale Exhibition solicit and privilege new proposals and works conceived specifically by invited artists, filmmakers, choreographers, performers, composers, and writers.