Hylla
Personnamn
Titel och upphov Volume : writings on graphic design, music, art, and culture
Varianttitel Writings on graphic design, music, art, and culture
Utgivning, distribution etc. Princeton Architectural Press, New York : c2010.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga
Fysisk beskrivning
Anmärkning: Allmän
Anmärkning: Innehåll Liner notes / Rudy Vanderlans -- Introduction. Words on sound and vision -- Field recordings : an instructor of concern -- Adversarial thoughts -- First, class -- Designers are material -- The resistance -- Designer X -- Trenchancy -- Buzz kill -- Quietude -- Amplifications : on Creem magazine 1970-1976 -- My two and only -- 12²sSound -- Music for markets -- The graphic equalizer -- Teleidoscopin' : aerosol -- The end of design -- The importance of white space -- Pejoration -- Form vs. function -- Light turning -- The last wave -- Inference and resonance : eponymity -- Be yourself, be someone else -- Chaos theories and uncertainty principles -- Indiscipline -- Seen and not seen -- Skilling saws and absorbent catalogs -- Professional suicide -- Coda. Life in these ephemeral states -- Publication notes.
Term
ISBN 978-1-56898-964-8 (alk. paper) 1-56898-964-4 (alk. paper)
Antal i kö:
*00002190nam a22003857a 4500
*00139749
*00520150519030847.2
*008091023s2010 nyu 001 0 eng
*010 $a2009045011
*0167 $a015567023$2Uk
*020 $a978-1-56898-964-8 (alk. paper)
*020 $a1-56898-964-4 (alk. paper)
*035 $a(SE-LIBR)17946505
*035 $a(Ko)44863
*040 $aDLC$cDLC$dYDX$dUKM$dYDXCP$dCDX$dIAD$dDLC
*043 $an-us---
*05000$aNX456$b.F59 2010
*08200$a700.9/04$222
*084 $aI$2kssb/8 (machine generated)
*1001 $aFitzgerald, Kenneth,$d1960-
*24510$aVolume :$bwritings on graphic design, music, art, and culture /$cwritten by Kenneth FitzGerald ; liner notes by Rudy VanderLans.
*24630$aWritings on graphic design, music, art, and culture
*250 $a1st ed.
*260 $aNew York :$bPrinceton Architectural Press,$cc2010.
*300 $a254 p. ;$c23 cm.
*500 $aIncludes index.
*5050 $aLiner notes / Rudy Vanderlans -- Introduction. Words on sound and vision -- Field recordings : an instructor of concern -- Adversarial thoughts -- First, class -- Designers are material -- The resistance -- Designer X -- Trenchancy -- Buzz kill -- Quietude -- Amplifications : on Creem magazine 1970-1976 -- My two and only -- 12²sSound -- Music for markets -- The graphic equalizer -- Teleidoscopin' : aerosol -- The end of design -- The importance of white space -- Pejoration -- Form vs. function -- Light turning -- The last wave -- Inference and resonance : eponymity -- Be yourself, be someone else -- Chaos theories and uncertainty principles -- Indiscipline -- Seen and not seen -- Skilling saws and absorbent catalogs -- Professional suicide -- Coda. Life in these ephemeral states -- Publication notes.
*599 $aImported from: lx2.loc.gov:210/LCDB (Do not remove)
*650 0$aArts, Modern$y20th century.
*650 0$aArts, Modern$y21st century.
*650 0$aGraphic arts$zUnited States$xHistory$y20th century.
*650 0$aGraphic arts$zUnited States$xHistory$y21st century.
*841 $5Ko$ax a$b1505114u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hGRAFISK DESIGN - Ifq:d$lFIT
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Volume--a word that refers to sound, collections, and the measurement of space--is a crucial characteristic of both graphic design and popular music. While expressing different aspects of these two pervasive cultural mediums, the term also introduces a discussion on their many links.Volume: Writings on Graphic Design, Music, Art, and Culture is a collection of both new and classic writings by frequent Emigre contributor and educator Kenneth FitzGerald that survey the discipline of graphic design in context with the parallel creative fields of contemporary musicand art. The topics of the writings are diverse: the roles of class in design, design education, Lester Bangs andCreem magazine, pornography, album cover art, independent record labels, anonymity and imaginary creative identities, and design as cultural chaos-maker.