Konstfacks bibliotek

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*020  $a3-7757-1618-1 (Buchhandelsausg.)
*020  $a83-89145-69-3 (Zache̜ta Gallery)
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*084  $aIbz Żmijewski, Artur$2kssb/8
*1001 $aZmijewski, Artur$4art
*24500$aIf it happened only once it's as if it never happened :$beinmal ist keinmal :  [in conjunction with two exhibitions of Artur Żmijewski ; Artur Żmijewski, Kunsthalle Basel, June 16 - August 28, 2005 ; Repetition, the Polish pavilion at the 51st International Biennale of Venice, June 12 - November 6, 2005] /$cZache̜ta National Gallery of Art, Warsaw ; Kunsthalle Basel ; [ed.: Joanna Mytkowska ; Transl.: Marzena B. Guzowska ...]
*24630$aEinmal ist keinmal
*260  $aOstfildern-Ruit :$bHatje Cantz,$c2005
*300  $a208 s. :$bill. (vissa i färg) ;$c24 cm.
*500  $aLiteraturverz. S. 195 - 203
*546  $aText på engelska och på tyska
*60017$aŻmijewski, Artur,$d1966-
*650 7$aVideokonst$vutställningskataloger$2sao
*7001 $aMytkowska, Joanna,$4edt
*7102 $aKunsthalle (Basel)
*7112 $aBiennale di Venezia$n(51 :$d2005)
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*852  $5Ko$bKo$hKONST - Ibz Żmijewski, Artur$lŻMI
^

Artur Zmijewski first attracted attention with his video pieces entitled Singing Lessons , shown at Manifesta 4 in Frankfurt. In a group of deaf youths "sings" the Kyrie from a mass by Jan Maklakiewicz. The result is an atonal yet gripping document of striving for the impossible--a study of limitations and failure. Zmijewski breaks taboos in his other works as well, focusing primarily on aspects of the body. In the 1998 work An Eye for Eye, he worked with amputees missing a leg or a hand to create hybrid beings who are apparently able to walk or grasp again with the aid of "borrowed" limbs. Zmijewski will be representing Poland at the 2005 Venice Biennale. This monograph presents the artists penetrating works created for the exhibition along with a number of informative essays.