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After modern art 1945-2000
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  • KONST - Ib.55
Main Entry - Personal Name
Title Statement
  • After modern art 1945-2000
Publication, Distribution, etc. (Imprint)
  • Oxford University Press, Oxford : 2000
  • 2000
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 282 s. : ill. (vissa i färg) ; 24 cm
Series Statement/Added entry--Title
Subject - Topical Term
Added Entry - Uncontrolled Related/Analytical Title
  • After modern art
Subject - SAB Headings
  • Konst Konsthistoria Efterkrigstiden
ISBN
  • 0-19-284234-X (pbk (hbk) ;
  • 0-19-284281-1
  • 978-0-19-284234-3
Waiting
  • 0 (0)
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*1001 $aHopkins, David
*24500$aAfter modern art 1945-2000 /$cDavid Hopkins
*260  $aOxford :$bOxford University Press,$c2000
*300  $a282 s. :$bill. (vissa i färg) ;$c24 cm
*440  $aOxford history of art,$x99-2417357-0
*599  $aDawson
*650 0$aArt, American$y20th century.
*650 0$aArt, European$y20th century.
*650 7$aArt, Modern$y20th century$2BNB
*650 7$aPostmodernism$2BNB
*650 7$aModern konst$zEuropa$y1945-2000$2sao
*650 7$aKonsthistoria$zEuropa$y1945-2000$2sao
*650 7$aModern konst$zEuropa$yefterkrigstiden$2sao
*650 7$aModern konst$zFörenta staterna$yefterkrigstiden$2sao
*650 7$aPostmodernism$2sao
*650 0$aPostmodernism
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*950  $aPostmodernism (filosofi)$uPostmodernism
*950  $aModernism$uPostmodernism
*976 2$aIb.55$bKonst Konsthistoria Efterkrigstiden
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Modern and contemporary art can be both baffling and beautiful; it can also be innovative, political, and disturbing. This book sets out to provide the first concise interpretation of the period as a whole, clarifying the artists and their works along the way. Closely informed by new critical approaches, it concentrates on the relationship between American and European art from the end of the Second World War to the eve of the new millennium.

Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are among many artists discussed, with careful attention being given to the political and cultural worlds they inhabited. Moving along a clear timeline, the author highlights key movements such as Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and performance art to explain the theoretical and issue-based debates that have provided the engine for the art of this period.

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 Available Konstfacks bibliotek KONST - Ib.55