Location
Main Entry - Personal Name
Title Statement Liveness : performances in an mediatized culture
Publication, Distribution, etc. (Imprint)
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
Subject - Topical Term
Subject - SAB Headings Musik Jazz Rock Populärmusik Television Video
ISBN 0-415-19689-2 (inb.) 0-415-19690-6 (hft.)
Waiting
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*008981106s1999 xxk 001 0 eng c
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*020 $a0-415-19690-6 (hft.)
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*084 $aBub$2kssb/6
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*084 $aBs:d $2kssb/6
*1001 $aAuslander, Philip
*24500$aLiveness :$bperformances in an mediatized culture /$cPhilip Auslander
*260 $aLondon :$bRoutledge,$c1999
*300 $ax, 179 s. ;$c23 cm
*650 7$aPerforming arts$xSocial aspects$2BNB
*650 4$aTeater och massmedia
*650 7$aKulturteori$xMassmedia$2sao
*650 7$aMassmedia$xInflytande$2sao
*650 7$aRockmusik och massmedia$2sao
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*852 $5Ko$bKo$hIk$lAUS
*976 2$aIjxn$bMusik Jazz Rock Populärmusik
*976 2$aBub$bTelevision Video
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In LivenessPhilip Auslander addresses what may be the single most important question facing all kinds of performance today: What is the status of live performance in a culture dominated by mass media? By looking at specific instances of live performance such as theatre, rock music, sport and courtroom testimony, Livenessoffers penetrating insights into media culture. This provocative book tackles some of the enduring 'sacred truths' surrounding the high cultural status of the live event.
Acknowledgements p. ix Seeing is believing p. 73 I want my MTV p. 85 Panic Clapton p. 94 Legally live: law, performance, memory p. 112 Teevee's courthouse, or the resistible rise of the videotape trial p. 114 You don't own me: performance and copyright p. 131 Law and remembrance p. 153 Conclusion p. 158 Bibliography p. 163 Index p. 173 Introduction: "An Orchid in the Land of Technology" p. 1 Live performance in a mediatized culture p. 10 Teevee's playhouse p. 11 Is it live, or ? p. 23 Against ontology p. 38 Got live if you want it p. 54 Tryin' to make it real: live performance, simulation, and the discourse of authenticity in rock culture p. 61 Rock culture and the discourse of authenticity p. 62