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*00001257nam a22003377a 4500
*00139589
*00520150321030848.4
*008110705s2011    nyu      b    001 0 eng
*010  $a2011028397
*020  $a978-0-300-15105-3 (alk. paper)
*020  $a0-300-15105-5 (alk. paper)
*035  $a(SE-LIBR)12399996
*035  $a(Ko)44674
*040  $aDLC$cDLC$dF
*08200$a759.13$223
*084  $aIe-qa$2kssb/8 (machine generated)
*24500$aAgnes Martin /$cessays by Rhea Anastas ... [et al.] ; edited by Lynne Cooke, Karen Kelly, and Barbara Schroder.
*260  $aNew York :$bDia Art Foundation ;$aNew Haven :$bYale University Press,$c2011.
*300  $a268 p. :$bill.
*504  $aIncludes bibliographical references and index.
*60010$aMartin, Agnes,$d1912-2004$xCriticism and interpretation.
*60017$aMartin, Agnes,$d1912-2004$xanalys och tolkning
*7001 $aMartin, Agnes,$d1912-2004$4ill
*7001 $aAnastas, Rhea.$4aut
*7001 $aCooke, Lynne.$4edt
*7001 $aKelly, Karen J.,$d1964-$4edt
*7001 $aSchröder, Barbara,$d1969-$4edt
*841  $5Ko$ax  a$b150304||0000|||||001||||||000000$e1
*852  $5Ko$bKo$hKONST - Ibz Martin, Agnes$lAGN
^

New discourse on four decades of painting by one of the 20th century's most influential artists

Gorgeously quiet in color and composition, Agnes Martin's paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce--until now. This important new anthology brings together the most current scholarship on Martin's paintings by twelve multidisciplinary essayists who consider various aspects of the artist's four-decade career.

Organized by Dia Art Foundation, whose extensive holdings of Martin's paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin's career and her contributions to the art historical narrative.