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Titel och upphov Come as you are : art of the 1990s
Utgivning, distribution etc. Montclair Art Museum, in association with University of California Press, [Montclair, New Jersey] : cop. 2014
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Fysisk beskrivning
Anmärkning: Allmän Issued in connection with an exhibition held at the Montclair Art Museum.
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Chaotic Input : Art in the United States, 1989-2001 / Alexandra Schwartz -- Unfinished Business as Usual : African-American Artists, New York Museums, and the 1990s / Huey Copeland -- Costume : Come as You Aren't / Jennifer A. Gonz©Łlez -- After Endgame : American Painting in the 1990s / Suzanne Hudson -- As the World Turns in 1990's America / Joan Kee -- Ill Communication : Anxiety and Identity in 1990s' Net Art / Kris Paulsen -- Event Horizons : Gabriel Orozco and the 1990s / Paulina Pobocha -- A Place to Call Home : Artists In and Out of Los Angeles, 1989-2001 / John Tain -- The Exhibition/Plates / Alexandra Schwartz -- 1989-1993 -- 1994-1997 -- 1998-2001 -- Selected Chronology : Art, Culture, and Society in the 1990s / Frances Jacobus-Parker.
Anmärkning: Innehållsbeskrivning, sammanfattning "Come as You Are: Art of the 1990s is the largest and most ambitious contemporary art exhibition ever to be mounted by the Montclair Art Museum. The exhibition and book spotlight a pivotal moment in the recent history of art. Chronicling the "long" 1990s between 1989 and 2001-from the fall of the Berlin Wall to 9/11-"Come As You Are" examines how the art of this period both reflected and helped shape the dramatic societal events of the era, when the combined forces of new technologies and globalization gave rise to the accelerated international art world that we know today"-- Provided by publisher.
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ISBN 978-0-520-28288-9 0-520-28288-4
Antal i kö:
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*24510$aCome as you are :$bart of the 1990s /$cAlexandra Schwartz ; with contributions by Huey Copeland [and 7 others]
*260 $a[Montclair, New Jersey] :$bMontclair Art Museum, in association with University of California Press,$ccop. 2014
*300 $a224 pages ;$c26 cm.
*500 $aIssued in connection with an exhibition held at the Montclair Art Museum.
*504 $aIncludes bibliographical references.
*5050 $aChaotic Input : Art in the United States, 1989-2001 / Alexandra Schwartz -- Unfinished Business as Usual : African-American Artists, New York Museums, and the 1990s / Huey Copeland -- Costume : Come as You Aren't / Jennifer A. Gonz©Łlez -- After Endgame : American Painting in the 1990s / Suzanne Hudson -- As the World Turns in 1990's America / Joan Kee -- Ill Communication : Anxiety and Identity in 1990s' Net Art / Kris Paulsen -- Event Horizons : Gabriel Orozco and the 1990s / Paulina Pobocha -- A Place to Call Home : Artists In and Out of Los Angeles, 1989-2001 / John Tain -- The Exhibition/Plates / Alexandra Schwartz -- 1989-1993 -- 1994-1997 -- 1998-2001 -- Selected Chronology : Art, Culture, and Society in the 1990s / Frances Jacobus-Parker.
*520 $a"Come as You Are: Art of the 1990s is the largest and most ambitious contemporary art exhibition ever to be mounted by the Montclair Art Museum. The exhibition and book spotlight a pivotal moment in the recent history of art. Chronicling the "long" 1990s between 1989 and 2001-from the fall of the Berlin Wall to 9/11-"Come As You Are" examines how the art of this period both reflected and helped shape the dramatic societal events of the era, when the combined forces of new technologies and globalization gave rise to the accelerated international art world that we know today"--$cProvided by publisher.
*599 $aImported from: library.metmuseum.org:210/INNOPAC (Do not remove)
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Come as You Are: Art of the 1990s is the first major museum survey to historicize art made in the United States during this pivotal decade. Showcasing approximately sixty-five works by forty-five artists, the book includes installations, paintings, sculptures, drawings, prints, video, sound, and digital art. Come as You Are offers an overview of art made in the United States between 1989 and 2001, a period bookended by two indelible events: the fall of the Berlin Wall and 9/11. The book is organized around three principal themes--the "identity politics" debates, the digital revolution, and globalization; its title refers to the 1992 song by Nirvana and to the issues of identity that were complicated by effects of new technologies and global migration. All the artists in the exhibition made their initial entry into the art historical discourse during the 1990s, and they reflect the increasingly heterogeneous nature of the art world during this time, when many women artists and artists of color attained unprecedented prominence. Contributors include Huey Copeland, Jennifer González, Suzanne Hudson, Joan Kee, Frances Jacobus-Parker, Kris Paulsen, Paulina Pobocha, and John Tain.