Konstfacks bibliotek

Lee Lozano : notebooks 1967-70.
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  • KONST - Ibz Lozano, Lee
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Titel och upphov
  • Lee Lozano : notebooks 1967-70.
Varianttitel
  • Lee Lozano : note books 1967-70.
  • Notebooks 1967-70.
Utgivning, distribution etc.
  • Primary Information : Distributed by D.A.P./Distributed Art Publishers, New York, NY : c2009.
Utgivningsår
  • 2009
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 1 v. (unpaged) : all ill. ; 27 cm.
Anmärkning: Allmän
  • Cover title.
Personnamn
Term
ISBN
  • 978-0-9788697-6-2
  • 0-9788697-6-1
Antal i kö:
  • 0 (0)
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*008091231s2009    nyua          000 0 eng d
*020  $a978-0-9788697-6-2
*020  $a0-9788697-6-1
*035  $a(SE-LIBR)14932368
*035  $a(Ko)44619
*040  $aBTCTA$beng$cBTCTA$dYDXCP$dCAM$dERASA$dBWX$dCDX$dUBY
*08204$a740.9
*084  $aIh$2kssb/8 (machine generated)
*1001 $aLozano, Lee,$d1930-1999
*24510$aLee Lozano :$bnotebooks 1967-70.
*2463 $aLee Lozano :$bnote books 1967-70.
*24630$aNotebooks 1967-70.
*260  $aNew York, NY :$bPrimary Information :$bDistributed by D.A.P./Distributed Art Publishers,$cc2009.
*300  $a1 v. (unpaged) :$ball ill. ;$c27 cm.
*500  $aCover title.
*599  $aImported from: cals.evergreen.edu:210/INNOPAC (Do not remove)
*60010$aLozano, Lee,$d1930-1999$vNotebooks, sketchbooks, etc.
*650  $aArtists' writings
*841  $5Ko$ax  a$b150224||0000|||||001||||||000000$e1
*852  $5Ko$bKo$hKONST - Ibz Lozano, Lee$lLOZ
^
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Transiting Pop art, Feminist Expressionism, Conceptualism and Minimalism, Lee Lozano (1930-1999) sits alongside Eva Hesse and Hannah Wilke as a radical and influential model for younger generations of female artists. Lozano's notebooks, which she approached as drawings, and which were later dismantled and sold as individual pages, became a part of her artmaking at the height of her fame in the late 1960s. Reproduced here for the first time, as an affordably-priced facsimile reprint, the three notebooks collected here, which were kept between 1967-1970, contain sketches for her Wave paintings, writings about the trajectory of her artistic process and the language pieces that she became famous for prior to her withdrawal from the art world. They thus constitute the fullest and richest document on an artist whose relevance and profile have recently seen a steady ascent.

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