Hylla GRAFISK DESIGN - Ifqz Toorn, Jan van
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Titel och upphov Jan van Toorn : critical practice
Utgivning, distribution etc. 010 publ., Rotterdam : 2008
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DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 240 s. farbige Ill. 27 cm
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ISBN
Antal i kö:
*00001280nam a22003857a 4500
*00139372
*00520150108030853.9
*008080417s2008 ne 00 eng c
*020 $a978-90-6450-565-2 (Pbk.)
*035 $a(SE-LIBR)16900721
*035 $a(Ko)44418
*040 $aSzZuIDS LU LUHGK$dSzZuIDS NEBIS ZHDK-MIZ$dQa
*072 7$aE6523$2E65-20090128
*072 7$aE7574$2E75-20090519
*08204$a760.092$223/swe
*084 $aIbz$2kssb/8 (machine generated)
*1001 $aPoynor, Rick
*24510$aJan van Toorn :$bcritical practice$c/ Rick Poynor
*260 $aRotterdam :$b010 publ.,$c2008
*300 $a240 s.$bfarbige Ill.$c27 cm
*599 $aImported from: opac.nebis.ch:9909/NEBIS (Do not remove)
*60014$aToorn, Jan van,$d1932-$2fast
*650 7$aGrafiker $2sao$0https://id.kb.se/term/sao/Grafiker
*650 0$aPrintmakers
*650 0$aGraphic artists
*655 7$aBiografi$2saogf
*7001 $aToorn, Jan van,$d1932-
*841 $5Ko$ax a$b1412194u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hGRAFISK DESIGN - Ifqz Toorn, Jan van
*900 $aClibborn, Edward Booth$uPoynor, Rick
*950 $aGrafiska konstnärer$uGrafiker
*950 $aKonstnärer$wg$uGrafiker
*950 $aKvinnliga grafiker $wh$uGrafiker
*955 $aBiobibliografi$uBiografi
^
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Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wants the public to measure the motives of both the client and the designer who mediates the client's message against their own experiences of the world. He hoped in this way to stimulate a more active and skeptical view of art, communication, media ownership and society. Projects such as Van Toorn's posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a tool of critique. Later, as director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-levelled educational initiative that urged designers to think harder about design's role in shaping contemporary reality.