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Interactive art and embodiment : the implicit body as performance
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  • KONST - Iaa
Main Entry - Personal Name
Title Statement
  • Interactive art and embodiment : the implicit body as performance
Publication, Distribution, etc. (Imprint)
  • Gylphi, Canterbury : 2013
  • 2013
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • xii, 291 s. : ill. delvis i farver
Subject - Topical Term
  • 978-1-78024-009-1
  • 1-78024-009-0
  • 0 (0)
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*1001 $aStern, Nathaniel$4aut
*24510$aInteractive art and embodiment :$bthe implicit body as performance /$cNathaniel Stern
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*300  $axii, 291 s. :$bill. delvis i farver
*599  $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
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*852  $5Ko$bKo$hKONST - Iaa
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What is interactive art? Is this a genre? A medium? An art movement? Must a work be physically active to be classified as such, or do we interact when we sense and make sense? Is a switch-throw or link-click enough - I do this, and that happens - or must subjects and objects be confused over time? Is interaction multiple in its engagements (relational), or a one-to-one reaction (programmed)? Are interactive designs somehow more democratic and individualized than others, or is that merely a commercial strategy to sell products and ideas? The theorists, artists, practitioners and curators discussed in this text include Brian Massumi, Christiane Paul, Sarah Cook, Beryl Graham, Kelli Fuery, Theodore Watson, William Kentridge, Char Davies, Stelarc, Janet Cardiff, Carlo Zanni, Tero Saarinen, Karen Barad, Daniel Rozin, Richard Schechner, Nicole Ridgway, Rebecca Schneider, Annie Sprinkle, Karen Finley, VALIE EXPORT, The Guerrilla Girls, Tegan Bristow, Brian Knep, Anna Munster, Zach Lieberman, Golan Levin, Simon Penny, Camille Utterback, Jean-Luc Nancy, The Millefiore Effect, Nick Crossley, Mathieu Briand, Scott Snibbe, David Rokeby, Jose Gil, Erin Manning, Rafael Lozano-Hemmer, and Norah Zuniga Shaw"

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