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*020  $a0-7456-5002-3$c¹15.99
*020  $a978-0-7456-5002-9$c¹15.99
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*084  $aOab$2kssb/8 (machine generated)
*1001 $aGauntlett, David
*24510$aMaking is connecting :$bthe social meaning of creativity, from DIY and knitting to YouTube and Web 2.0 /$cDavid Gauntlett
*260  $aCambridge :$bPolity,$c2011
*300  $ax, 286 s. :$bill. ;$c21 cm.
*504  $aIncludes bibliographical references and index.
*599  $aDawson
*650 0$aSocial networks.
*650 0$aCreative ability$xSocial aspects.
*650 0$aWeb 2.0$xSocial aspects.
*650 0$aCulture.
*650 0$aSocial change.
*650 0$aSocial evolution.
*650 0$aCreation (Literary, artistic, etc.)$xSocial aspects.
*650 7$aKreativitet$xsociala aspekter$2sao
*650 7$aKonstnärligt skapande$xsociala aspekter$2sao
*650 7$aSociala nätverk$2sao
*650 7$aKulturspridning$2sao
*650 0$aSocial networks
*650 0$aCulture diffusion
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*950  $aNätverk$wg$uSociala nätverk
*950  $aFöretagsnätverk$wh$uSociala nätverk
*950  $wh$aSociala nätverk online$uSociala nätverk
*950  $aGrannskapsarbete$uSociala nätverk
*950  $aSpridning av kulturer$uKulturspridning
*950  $aKulturell spridning$uKulturspridning
*950  $aKulturell diffusion$uKulturspridning
*950  $aKultur$wg$uKulturspridning
*950  $aSocial förändring$wg$uKulturspridning
*950  $aInnovationsspridning$wh$uKulturspridning
^

In Making is Connecting, David Gauntlett argues that through making things, people engage with the world and create connections with each other. Both online and offline, we see that people want to make their mark on the world, and to make connections.
During the previous century, the production of culture became dominated by professional elite producers. But today, a vast array of people are making and sharing their own ideas, videos, and other creative material online, as well as engaging in real-world crafts, art projects, and hands-on experiences.
Gauntlett argues that we are seeing a shift from a 'sit-back-and-be-told culture' to a 'making-and-doing culture'. People are rejecting traditional teaching and television, and making their own learning and entertainment instead. Drawing on evidence from psychology, politics, philosophy, and economics, he shows how this shift is necessary and essential for the happiness and survival of modern societies.

• Introduction
• The meaning of making I: Philosophies of craft
• The meaning of making II: Craft today
• The meaning of making III: Digital
• The value of connecting I: Personal happiness
• The value of connecting II: Social capital and communities
• Tools for change
• Web 2.0 not all rosy?
• Conclusion