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ISBN 1-4051-2443-1 (pbk.) : 978-1-4051-2443-0 (pbk.) : 1-4051-2442-3 (hbk.) : 978-1-4051-2442-3 (hbk.) :
Waiting
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*650 0$aAuthenticity (Philosophy)$xSocial aspects
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Authenticity is taken-for-granted as an absolute value in contemporary life. In Culture and Authenticity , Charles Lindholm calls upon anthropological case studies from different cultures, historical material, and comparative philosophy, to explore how notions of authenticity develop, what forms it takes, and how it changes over time.
Acknowledgments p. vii Authenticity and Music p. 25 History Versus Heart in Classical Music p. 25 Real Music about Real Life for Real People p. 29 Marketing Authentic Performance p. 35 Seeking Authenticity in Travel and Adventure p. 39 Real Life is Elsewhere p. 39 Staging Authenticity p. 43 The Whole Adrenaline Thing p. 47 The Commodification of Authenticity p. 52 Introduction p. 1 Authenticity and the Self p. 65 Marketing Feeling p. 65 Ecstatic Religion and Improvised Style p. 67 Saving the World for Pleasure p. 71 Collective Authenticity p. 75 Authentic Cuisine and National Identity p. 77 Inventing Real Belizean Food p. 77 Defining Authenticity p. 1 If Real Italians Eat Pasta, Do Real Indians Eat Curry? p. 80 Terroir, Power, and French Cuisine p. 83 Authentic Dance and National Identity p. 88 Collective Identity and the Speech That Cannot Lie p. 88 Without Rumba There Is No Cuba p. 91 Tango: The Dance of the Scream p. 94 Modes of Authenticity in the Nation-State p. 98 Primordial Nationalism p. 98 Who Belongs? p. 103 Missionary Politics p. 108 Why Authenticity Emerged p. 3 Israel and Authentic Jewish Identity p. 112 Defining Jews, Founding Israel p. 112 Jews on Horseback p. 115 The Poly-Ethnic Theme Park p. 118 Authenticity On the Margins p. 125 Genes Make the Tribe p. 125 First Nations: Identity and Identification p. 128 The Empty Center and the Tears That Bind p. 133 Conclusion p. 139 An Anthropology of Authenticity p. 141 The Inventor of Authenticity p. 8 Notes p. 146 Bibliography p. 160 Index p. 169 Personal Authenticity p. 11 Authenticity and Art p. 13 Totems, Relics, and the Origins of Art p. 13 The Cult of the Artist and the Romance of the Primitive p. 16